Wear Resistance of Anodic Titanium Dioxide Films Produced on Ti-6Al-4V Alloy by María Laura Vera, Mario Roberto Rosenberger, Carlos Enrique Schvezov, Alicia Esther Ares

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Temperature evolution of dielectric characteristics of PVDF and P(VDF-TrFE) films produced by 4D printing by A.V. Solnyshkin, N.V. Vostrov, S.I. Gudkov, A.N. Belov

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Investigation of Spintronic Properties of Transition Metal Doped ZnO Thin Films Produced by Sol-Gel Spin Coating by Nuray Altınölçek, Cengiz Akay, Zafer Gültekin

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Influence of Fiber Content on Mechanical and Morphological Properties of Woven Kenaf Reinforced PVB Film Produced Using a Hot Press Technique by Suhad D. Salman, Z. Leman, M. T. H. Sultan, M. R. Ishak, F. Cardona

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Du documentaire à la fiction : Tierra Caliente (2004) et El violín (2005), deux modalités d’approche de la réalité mexicaine par Francisco Vargas by Julie Amiot-Guillouet

“…The edition of a documentary and a work of fiction by Francisco Vargas in the same DVD, proposes a solution to this problem by managing to question once more the relations between documentary and fiction ; fiction’s success offers the possibility for the documentary to be seen, especially because two films suggest two complementary looks upon a reality which the film-producer wants to denounce through his works.…”
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Masochistic Performance of Scheherazade: A Multimodal Analysis of Prince Charming by Attiya Zafar, Nadia Anwar

“… This study attempts to highlight the embedded masochist aesthetics supporting the masochistic patterns in a Pakistani short film Prince Charming (2021), directed by Sheheryar Munawar Siddiqui, a Pakistani actor, film producer, director and television host. The focus remains on female protagonist, Scheherazade’s performative masochistic proclivities in an unsatisfactory marital relationship. …”
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Reclaiming Independence: American Independent Cinema Distribution and Exhibition Practices beyond Indiewood by Yannis Tzioumakis

“…Such models aim to link the film producer with an audience who consume films at home, and are characterised by practices such as the sale of DVDs from the filmmakers’ own websites to a substantial clientele; and an extensive and innovative use of social networking media. …”
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The cultural codes transmitted to the audience through animated films in Soviet Kyrgyz cinema by Erdoğan Çakar Banu

“…The population of the study consists of animated films produced in Kyrgyz cinema during the Soviet period. …”
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Carmen Castillo et Catalina Villar : l’entre-deux du lieu d’énonciation du « latino-américain » by Amanda Rueda

“…There are many films directed by Latin-American film-producers living in Europe who go back home to shoot. …”
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Crosslinking of XNBR with polyvalent epoxy compounds (PECs) for accelerator-free rubber films by Taichi Ogawa, Junji Shibasaki, Atsushi Morinaga, Kaname Shibata, Akitsugu Suzuki, Yamato Takeuchi, Shoya Satake, Takuya Asada, Tomohiro Itagaki, Masahiro Fujiwara, Ikuya Shibata, Norihide Enomoto

“…The XNBR films produced by our novel process that contain no substances causing type I and type IV hypersensitivity are potentially free from the skin inflammations.…”
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Les Madrilènes et les espaces de la ville : de Surcos (José Antonio Nieves Conde, 1951) à Barrio (Fernando León de Aranoa, 1998) by Marianne Bloch-Robin

“…Through six emblematic films produced throughout the second half of 20th century, we analyze how the representation of Madrid inhabitants evolves, what its functions and characteristics are in the construction of urban and suburban spaces and how it changes depending of the time frame and the singular views of the film directors.…”
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A FIRST COMPOSITIONAL ATTEMPT INTO THE WORLD OF SILENT SHORT FILMS – SANCTUARY BY NELIO COSTA (WITH MUSIC BY ŞERBAN MARCU) by Şerban MARCU

“…The film under discussion is Sanctuary, a silent short film produced by Nelio Costa, Professor of film journalism at the UNA University Center in Belo Horizonte, Brazil. …”
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La imagen del gaucho argentino en los primeros films de dibujos animados estadounidenses by Ana Teresa  Fanchin

“…This contribution analyzes films produced by Disney, which top the list of comics displayed on celluloid. …”
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CITY PLACEMENT – INNOVATIONAL MEANS OF PROMOTING CITIES by Andrzej Szromnik

“…Its main threads, components and decision making problems of the film producers teams have been emphasized. The author based his knowledge, in this case, on the diagnosis and analysis of the processes and decision making procedures adequate for big, Polish cities, their administrative authorities, promotional strategies and the rules of cooperation with media partners. …”
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CITY PLACEMENT – INNOVATIONAL MEANS OF PROMOTING CITIES by Andrzej Szromnik

“…Its main threads, components and decision making problems of the film producers teams have been emphasized. The author based his knowledge, in this case, on the diagnosis and analysis of the processes and decision making procedures adequate for big, Polish cities, their administrative authorities, promotional strategies and the rules of cooperation with media partners. …”
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Sorcières, Marâtres, Tyrans : Personnages de méchantes dans les longs-métrages d’animation Disney 1937-1989, ou l’incursion en dystopie masculiniste by Ariane Temkine

“…This study maps violence, seen through the prism of gender, in the animated feature films produced by Disney Studios between 1937 and 1989. …”
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The dangerous silences of memory by James A. Dettleff

“…In this work we analyze the way the Internal Armed Conflict is remembered by twelve films produced after the conflict was over, identifying the absences that may lead to dangerous silences. …”
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L’indépendance cubaine au miroir du cinéma : enjeux idéologiques, esthétiques et historiographiques by Julie Amiot

“…This article broaches the subject of national independence in Cuban films, in order to reveal that films produced within the framework of the commemorations of this event in 1968 stand out through their quantity as well as through their quality. …”
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Révélations et apprentissages : mise en scène des corps en classe dans des « films d’initiation pédagogique » de la Cinémathèque centrale de l’enseignement public (dans les années... by Barbara Laborde

“…This article is based on the collection of the Cinémathèque centrale de l'enseignement public (CCEP) and focuses on four films produced by Intermondia Films, an educational film production company in the 1950s. …”
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Madurai Formula Films: Caste Pride and Politics in Tamil Cinema by Karthikeyan Damodaran, Hugo Gorringe

“…In this paper we offer an analysis of feature films produced since 1985 to suggest that representations of caste dominance have served to reinforce caste-based identities and a social common-sense which equates particular intermediate castes with dominance, valor, heroism and violence. …”
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