Jane Eyre by Charlotte Brontë: The Never-Ending Story by Stéphanie Bernard

“…Le roman de Charlotte Brontë, Jane Eyre, est habité par la voix inextinguible de l’héroïne. …”
Get full text

Emily and Charlotte Brontë’s Re-reading of the Byronic hero by Cristina Ceron

Get full text

“There is always the other side…”: The “Other Women” of Charlotte Brontë’s Jane Eyre by Patricia Gott

“…Si Jane Eyre de  Charlotte Brontë se lit essentiellement comme un  roman qui recèle un secret en son cœur, le propos de Wide Sargasso Sea  de Jean Rhys et de Rebecca de Daphné Du Maurier est en partie de  dévoiler les strates qui enveloppent ce secret pour atteindre la  vérité que contient Jane Eyre. …”
Get full text

Bernadette Bertrandias, Jane Eyre. Charlotte Brontë. La parole orpheline by Bénédicte Coste

Get full text

The Others in Charlotte Brontë’s Jane Eyre: A Postcolonial-Orientalist and Feminist Reading by Filiz Barın Akman

“…There are different forms of othering in Charlotte Brontë’s Jane Eyre: one which results from Jane’s ambiguous position in terms of class hierarchies and another generated by Bertha’s presence as a colonized subject. …”
Get full text

Eithne Henson, Landscape and Gender in the Novels of Charlotte Brontë, George Eliot, and Thomas Hardy by Claire Bazin

Get full text

La correspondance de Charlotte Brontë : coulisses du style et de l’écriture by Charlotte Borie

“…In the case of the letters of Charlotte Brontë, it is interesting to notice that the more professional Brontë becomes as a writer, the less her letters tend to be distinct from her public writing. …”
Get full text

Jane Air: The Heroine as Caged Bird in Charlotte Brontë’s Jane Eyre and Alfred Hitchcock’s Rebecca by Paul Marchbanks

“…Dans le quatrième chapitre de son ouvrage intitulé Brontë Transformations (1996), Patsy Stoneman révèle l’importance des reprises et transformations dont a fait l’objet Jane Eyre (1847) de Charlotte Brontë dans diverses pièces de théâtre, romans et films depuis sa publication initiale. …”
Get full text

Diverging Interpretations of Charlotte Brontë’s Jane Eyre (1847): Franco Zeffirelli’s and Robert Stevenson’s Screen Adaptations by Delphine Letort

“…Les portraits esquissés par les réalisateurs reflètent des choix d’interprétation guidés par une lecture personnelle et contemporaine du récit de Charlotte Brontë.…”
Get full text

Le plurilinguisme dans The Professor de Charlotte Brontë : entre fascination et neutralisation de l’altérité by Hélène Collins

“…In Charlotte Brontë's The Professor, alterity emerges among others with foreign – mainly French – words. …”
Get full text

Joanne Wilkes, Women Reviewing Women in Nineteenth-Century Britain The Critical Reception of Jane Austen, Charlotte Brontë and George Eliot by Claire Bazin

Get full text

L’image du père et du jardin : Jane Eyre de Charlotte Brontë  et WideSargasso Sea de Jean Rhys by Anne-Marie Baranowski

Get full text

Catherine ROVERA, Genèses d’une folie créole : Jean Rhys et Jane Eyre by Kerry-Jane Wallart

Subjects: Get full text

Jane Eyre : un roman innovant pour les critiques victoriens by Odile Boucher-Rivalain

“…After the failure to publish her first novel The Professor Charlotte Brontë wrote her second work of fiction Jane Eyre in a conscious effort to satisfy the critics’ expectations, combining the more traditional elements of novel-writing with more innovating ones suggested by her own imagination. …”
Get full text

Lucy Snowe : première réécriture de Jane Eyre by Elise Ouvrard

“…While reading Villette, published by Charlotte Brontë in 1853, one cannot help thinking of Jane Eyre, the eponymous heroine of the novel published by the same author in 1847. …”
Get full text

Creative (mis)reading? Paula Rego’s Jane Eyre by Laurent Bury

“…Cependant, dans sa relation avec les textes antérieurs, Charlotte Brontë elle-même était adepte de la « mauvaise lecture », ou du moins aimait à induire le lecteur en erreur.…”
Get full text

St. John le calviniste, ou l’émule de Gil-Martin by Jean Berton

“…This article aims to show how far Hogg’s archetypal character, Gil-Martin, influenced Charlotte Brontë’s enigmatic character, St. John, who appears in chapters XXVI to XXXV and is mentioned again in the conclusion of Jane Eyre. …”
Get full text

De Jane Eyre à Shirley : une représentation des éléments transformée par les bouleversements sociaux ? by Élise Ouvrard

“…When she wrote Shirley, Charlotte Brontë was inspired by the Luddite riots which took place in the West Riding of Yorkshire in 1812. …”
Get full text