Allestire in continuità by Andrea Dragoni

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Spatial Characteristics of Art Trade in Hungary by Ibolya Várnai

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“Out With the Galleries, Out with the Sellouts:” Arts Organizations and Real Estate Investment in Los Angeles and Detroit by Aaron Shkuda

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Dorothy C. Miller, Chase Manhattan and American Banking: Investing Art? by Christine Zumello

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Australia’s marine fishes DNA barcode reference library for integrated taxonomy, metabarcoding & eDNA research by Sharon A. Appleyard, Robert D. Ward, John J. Pogonoski, Alastair Graham, Peter R. Last, Bruce E. Deagle, Bronwyn Holmes, Martin F. Gomon, Dianne J. Bray, Jeffrey W. Johnson, Amanda C. Hay, Glenn I. Moore, Michael P. Hammer, Barry Russell, Ken J. Graham

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Edme Antoine Durand (1768-1835) : un bâtisseur de collections by Louise Detrez

“…Travelling around Europe and making good use of his proven flair and business sense, he put together collections combining eclecticism and specialisation, quantity and quality. There were an art gallery, a cabinet of drawings, a collection of prints, antique and modern gems, a medal collection and a cabinet of arms in addition to the two renowned collections of antiquities and objets d’art commonly associated with Durand. …”
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From English Gentleman to Spanish hidalgo: Frank Hall Standish (1799–1840) and his Spanish Art Collection by Xanthe Brooke

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Examining the Colonial Legacies of the Hunterian’s Mineralogical and Petrological Collection: New Perspectives on Geoscience Collections by Erika Anderson

“… The origin of the Hunterian Museum and Art Gallery’s mineralogical and petrological collection can be traced back to Sir William Hunter’s bequest of his collections to the University of Glasgow upon his death in 1783. …”
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The Penha Garcia Ichnological Park at Naturtejo UNESCO Global Geopark (Portugal): a Geotourism Destination in the Footprint of the Great Ordovician Biodiversification Event by Carlos Neto de Carvalho, Andrea Baucon, Aram Bayet-Goll, João Belo

“…It also became a reference for geotourism in this country because of the Fossil Trail that allows visitors to access a natural fossil art gallery in the Variscan-folded cliffs of the Ponsul Gorge. …”
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Regards actuels sur la muséographie d’entre-deux-guerres by François Poncelet

“…During the interwar period a remarkable evolution has been in museography of art galleries. New practices are elaborated, developed and continued for a long time – actually up to now for some. …”
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Exploration du territoire identitaire dans les installations de Fred Wilson by Claudine Armand

“…Ever since his first installations, Fred Wilson has been exploring various spaces of representation, museums, art galleries, and other alternative spaces. He has created in situ works and has always worked in strategic spaces chosen in relation to their social, historical and political context. …”
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Orientalism and the British Picture Postcard Industry: Popularizing the Empire in Victorian and Edwardian Homes by Gilles Teulié

“…And yet suffice it to say that only the elite had access to these visual representations, either by becoming owners of paintings or by admiring them in art galleries, the prerogative of the educated and the wealthy. …”
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La politique de l’Art au musée national de Katmandou (Népal) by Élise Fong-Sintès

“…Nevertheless, the two art galleries in which it is exhibited offer paradoxical discourses on “Nepalese art”: one raises the art of the Kathmandu Valley to the rank of national art; the other, based on a Buddhist history of Nepal, broadens this category to works from all over the national territory. …”
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Building Bodies, Constructing Selves by Sandra Louise Kaji-O'Grady, Sarah Manderson

“…Today’s gymnasiums reference elements of bathhouses, spas, surgical clinics, sanatoria, monasteries, discotheques and nightclubs, factories, homes, clubs, hotels, S&M dungeons, massage parlours, beauty salons, cafés, and, even, art galleries – albeit not all in one space. We analyse the richly diverse aesthetics of several commercial chains of gymnasiums and explore the affective experiences established through the manipulation of atmospheric qualities.…”
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Integration of Artificial Intelligence in Art Preservation and Exhibition Spaces by Pin-Chia Huang, I-Cheng Li, Ching-Yi Wang, Cheng-Hsiung Shih, Masimukku Srinivaas, Wan-Ting Yang, Chin-Fang Kao, Te-Jen Su

“…However, due to high costs and implementation challenges, as well as a lack of qualified personnel to use these tools and systems, small art galleries and museums have not yet had the opportunity to acquire such systems. …”
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Khabarovsk State Institute of Culture as a School for Formation of a Creative Personality by S. N. Skorinov

“…Over the past years its became one of the leading educational institutions in the Far East Region for the preparation of the policymakers in the sphere of culture, the heads of cultural institutions, the organizers of cultural events and festivals, specialists for libraries, museums, art galleries, Houses of Culture, music and dance teachers. …”
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Digging for Literature on Tailoring Cultural Offers With and for Older People From Ethnic Minority Groups: A Scoping Review by Stephanie Tierney, Jordan Gorenberg, Marta Santillo, Debra Westlake, Geoffrey Wong, Kerryn Husk, Sofia Vougioukalou, Ruthanne Baxter, Shoba Dawson, Nia Roberts, Caroline Potter, Harriet Warburton, Beth McDougall, Johannah Latchem, Kamal R Mahtani

“…Some cultural activities described within them were run in traditional cultural spaces (e.g., museums, art galleries). Others were held in community centres. …”
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Le dessin de design en tant qu’œuvre en soi by Airton Cattani

“…There is nothing new about the characteristics of some drawings and physical architecture and design models being linked not solely to the production process but also to issues related to the market for cultural and museum objects, exhibited in museums and sold in art galleries and auction rooms, especially in countries with a long tradition of this type of cultural marketplace, such as those of North America, Europe and some Asian countries. …”
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THE THEME OF THE DEPORTATION OF THE CHECHEN PEOPLE IN THE GRAPHIC CYCLE CROSSROADS OF MEMORY (1944-2019) BY RUSTAM YAKHIKHANOV by Zarema R. Khamzatova

“…The research findings can be applied in lectures and seminars on museum studies and cultural studies, in conducting tours in art galleries, and in compiling a catalogue of R. Yakhikhanov’s works.…”
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