Critique and Analysis of the Book Results of Contemporary Arabic Poetry by Seyyed Fazlolah Mirghaderi

Subjects: “…contemporary arabic poetry…”
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A Study on Translation of the Book Entitled “Semantic & Artistic Aspects of Contemporary Arabic Poetry” by Ali Bashiri, Alireza Kaveh Nooshabadi

“…One of the important books written about contemporary area of Arabic poetry is “Semantic & Artistic Aspects of Contemporary Arabic Poetry” by Azlodin Esmaeili, the famous critic of Arabic literature. …”
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Cash in the Pot of Gold A Critical Review on the Book “Saadi's Arabic Poetry Based on Applied Criticism” by Mohammadreza Najjarian, Nafise Raisi Mobarake

“…The research in Saadi's Arabic poetry is not at par with the Persian poems of this famous Iranian poet, either in terms of quality or quantity, this is more obvious in the correction and description of the text of these poems. …”
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Analytical Critique of “Contemporary Arabic Poetry, Its Issues and Its Artistic and Technical Aspects Translated by “Sayyedhosein Sayyedi” by Mohammad Rahimi Khoygani

Subjects: “…contemporary arabic poetry…”
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An Analysis and Critique of the Translation of Al-Sharia Al-Arabiya with a Contrastive Criticism Approach to the Translation by Aliasghar Shahbazi

Subjects: “…arabic poetry…”
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The Structural and Content Criticism of the Book Al-Adab Alarabi Alhadith, Madaresoho Va Fononoho Va Tatavorohi Va Qazayaho Va Namazejon Menho by Abdulali Alebooye Langrudi

Subjects: “…contemporary arabic poetry…”
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Hassan ibn Thabit and his poem praising his fellow tribesmen: A contribution to the study of spiritual culture of the Arab society in early Islamic times by D.Ye. Mishin

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Book Review on "Alsho'ara al-Mohadathoon by sayyed reza mirahmadi

Subjects: “…arabic poetry…”
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Representation of scales and prosody proportions of Maulana Khalid Naqshbandi's Diwan based on Persian, Kurdish and Arabic poems by Seyed Asaad Sheikhahmadi, Sohila Salimizand

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The Comparison of coherence in the ode of "Jikour" by Sayab and "Along the river “by Nima by mohammadhassan amraee

Subjects: “…contemporary persian and arabic poetry…”
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Iraklı Şair Ma´rûf er-Rusâfî’nin Gözünden Hülâgû’nun Bağdat İstilası by Adnan Arslan

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A Critique of the Book "A Selection of Masterpieces of Arabic Literature in the First Abbasid Period " by Mohsen Seifi, Mahvash Hassanpoor

Subjects: “…the texts of arabic poetry and prose…”
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Arap Şiirinde Şairin Kendisine Mers̱iye Söylemesi: Mālik b. er-Rayb’ın el-Ḳaṣīdetu’l-Yāʾiyye’si Örneği by Mücahit Küçüksarı, Muhammed Ali Söylemez

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A New Theory in the Appearance of Andalusian Stanzas (A Critical Review of “Andalusian Stanzas and Zajel and Its Impact on Troubadour Poetry” by Sayyed Hussein Mara`ashi

“…In addition to providing comprehensive information on the Arabic poetry in Andalusia, especially the poetry of Stanzas and Zajal, he presents a new theory in which these two types of poetry are part of the poetry initiatives of the region and its emergence, not influenced by Arabic poetry in the East or European poetry in the West. …”
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سمات الأنا الشعرية الأنثوية الحداثية بين روضة الحاج وفروغ فرخزاد (مقدمة نقدية نفسية مقارنة) by Baraa Khaled Hilal

“…In the modern era, Ego witnessed many transformations, with the emergence of the romantic school, but the symbolic and existential schools  created another form of the Ego, emerged from psychiatric clinics and was crystallized by the Austrian psychologist (Sigmund Freud), I intend to address one type of these new poetic transformations,   classical characteristics of Female Ego in the works of the Sudanese poet Rawdha Al-Hajj compared to the Iranian poet Forough Farrokhzad." the Sudanese I will study the classical poetic female ego and its features, in their Arabic or translated into Arabic poetry. My study will be a critical comparative study in the light of the psychological approach. …”
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سمات الأنا الشعرية الأنثوية الحداثية بين روضة الحاج وفروغ فرخزاد (مقدمة نقدية نفسية مقارنة) by Baraa Khaled Hilal

“…In the modern era, Ego witnessed many transformations, with the emergence of the romantic school, but the symbolic and existential schools  created another form of the Ego, emerged from psychiatric clinics and was crystallized by the Austrian psychologist (Sigmund Freud), I intend to address one type of these new poetic transformations,   classical characteristics of Female Ego in the works of the Sudanese poet Rawdha Al-Hajj compared to the Iranian poet Forough Farrokhzad." the Sudanese I will study the classical poetic female ego and its features, in their Arabic or translated into Arabic poetry. My study will be a critical comparative study in the light of the psychological approach. …”
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سمات الأنا الشعرية الأنثوية الحداثية بين روضة الحاج وفروغ فرخزاد (مقدمة نقدية نفسية مقارنة) by Baraa Khaled Hilal

“…In the modern era, Ego witnessed many transformations, with the emergence of the romantic school, but the symbolic and existential schools  created another form of the Ego, emerged from psychiatric clinics and was crystallized by the Austrian psychologist (Sigmund Freud), I intend to address one type of these new poetic transformations,   classical characteristics of Female Ego in the works of the Sudanese poet Rawdha Al-Hajj compared to the Iranian poet Forough Farrokhzad." the Sudanese I will study the classical poetic female ego and its features, in their Arabic or translated into Arabic poetry. My study will be a critical comparative study in the light of the psychological approach. …”
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Sa'adi in the Chain of Prosodic Poets (A Critical Study of the Meters of Sa'adi ’s poetry, Based on Printed Texts and Manuscripts, With a Discussion about Prosodic Poets throughout... by Mohammadamir Jalali

“…Too much meters and make new meters by changing the meters of Arabic poetry ("Iranicized meter") and his "musical eloquence" in Golestan's poems, are the reasons to prove that Sa'adi is a prosodic poet. …”
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Book Review Horizons of Arabic Hair in Mamlooki Period Written by Yasin Alayvuby by Sadeq askari

“…The results of this review indicate that along with strengths such as proper bookbinding, precise layout and typography, complying with the writing and editing rules, multiple attachments and profiles, appropriate arrangement of the triple chapters, and using numerous and valid references, this book has deficiencies in terms of form and content, the most important of which include: using lexical obscure and ambiguous words, confusion in referencing and the arrangement of references, the broad and repetitive subject of the book, the lack of a methodical introduction and ending to some parts and many chapters, the incomplete arrangement of some chapters, and thus the similarity and even the overlap of the themes of some chapters, using common and cliché titles for the chapters, exaggeration in defending Arabic poetry and literature in the Mamlouki era, and unscientific compliment and praise, some ethnic and religious orientations and biases, lack or weakness of analysis and criticism due to relying on the collection of content from multiple references, and weakness of science innovation and production.…”
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Balaghah Ar-Ritsa’ Fii Syair Al-Khanasa’ Min Nihayah Al-Lafdhi Wa Al-Ma’ani by Sumardi Sumardi, Ivan Aulia Trisnady, Zulkhairi Sofyan

“…Elegy is one of the important purposes used in Arabic poetry in general. The research method that the researcher approaches in this research is the descriptive and analytical method, meaning a method that attempts to summarize the linguistic sciences from the historical aspect and the normative aspect, and those that motivate the researcher to research and want to analyze them are the characteristics of the poetry of lamentation for the Khansa’a in terms of words and meanings. …”
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