Rasga Coração, de Vianinha, e Hair: aproximação e distanciamento num contexto de contracultura by Éwerton Silva de Oliveira

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Revue de l’exposition The Color Line – Les artistes africains-américains et la ségrégation (1865-2016) by Églantine Morvant

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« La deuxième communauté noire la plus prospère du pays » : l’espoir d’une vie en banlieue résidentielle à Atlanta pour les migrant·es africain·es-américain·es by Nicolas Raulin

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Palimpsestes ou l’image au second degré : Gail Albert Halaban, Hopper Redux, et Laetitia Molenaar, Here comes the Sun [it is all right] by Helena LAMOULIATTE-SCHMITT

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The occurrence of muskrat Ondatra zibethicus in central and eastern Poland in the period 1996–2007 by Jerzy Romanowski, Karolina Karpowicz

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Renaissance Man, Man of his Times: Norman Mailer’s "The White Negro" and Literary Manhood in 1950s America by Matthew Kriz

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L’écrivain déplacé dans Lolita et Pnin de Vladimir Nabokov by Yannicke Chupin

Subjects: “…americanness…”
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Etude, consolidation et protection de caoutchouc naturel by François Duboisset

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L’expansion contemporaine du pentecôtisme en Amérique latine : une lecture en termes de champ by Jean-Pierre Bastian

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PICTURE OF AN ESSENTIAL AND AN UNESSENTIAL SELF IN A COMPARATIVE FRAME: A PRELIMINARY STUDY ON CHINESE AND CHICANA LITERATURES by Meryem AYAN Feryal ÇUBUKÇU

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Debata kuchenna. Historia jednego nagrania i jednego zdjęcia by Marcin Giżycki

Subjects: “…American National Exhibition…”
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Afro-Caribéens et Afro-Américains à New York : interactions et représentations by Léna Loza

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Jarring Voices: Preserving and Releasing Memory in Suzan-Lori Parks’ Pickling (1988) by Marie Pecorari

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When Should Naloxone Be Administered to the Undifferentiated Unresponsive Person?

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“A / music / at rest”: Late Duncan and Objectivist Poetics by Jeffrey Twitchell-Waas

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On Norman Mailer’s “The White Negro” (1957): More Than Six Decades Later by Andrew Urie

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Violence and Memory in the Multiple Versions of Claudia Rankine’s Citizen by John K. Young

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Voix soufflées, voix volées, voix intervocales by Helga Finter

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Who’s In and Who’s Out? War News from Mexico and the Framing of Evil by Alan Hirsch

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“Talking ’Bout My Generation”: Visual History Interviews—A Practitioner’s Report by Wolfgang Lorenz

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