Debata kuchenna. Historia jednego nagrania i jednego zdjęcia by Marcin Giżycki

Subjects: “…American National Exhibition…”
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Afro-Caribéens et Afro-Américains à New York : interactions et représentations by Léna Loza

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Jarring Voices: Preserving and Releasing Memory in Suzan-Lori Parks’ Pickling (1988) by Marie Pecorari

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When Should Naloxone Be Administered to the Undifferentiated Unresponsive Person?

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“A / music / at rest”: Late Duncan and Objectivist Poetics by Jeffrey Twitchell-Waas

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On Norman Mailer’s “The White Negro” (1957): More Than Six Decades Later by Andrew Urie

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Violence and Memory in the Multiple Versions of Claudia Rankine’s Citizen by John K. Young

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Voix soufflées, voix volées, voix intervocales by Helga Finter

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Who’s In and Who’s Out? War News from Mexico and the Framing of Evil by Alan Hirsch

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“Talking ’Bout My Generation”: Visual History Interviews—A Practitioner’s Report by Wolfgang Lorenz

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Dans l’excès de visibilité : jeu du montrer / cacher dans les photographies de Lorna Simpson by Claudine Armand

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The New Christian Right’s relations with Israel and with the American Jews: the mid-1970s onward by Mokhtar BEN BARKA

Subjects: “…American Jews…”
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Sleep quality and cognitive functioning among Chinese older adults living in the US: a mixed-effects model analysis by Fengyan Tang, Yuyang Zhu, Dasuni Jayawardena, Guoping Jin, Yanping Jiang

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“Un-American Confessions”: Translation as Subversion in Robert Lowell’s Life Studies (1959) by Simon Van Schalkwyk

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Interview with Joanna Bigfeather, Cherokee, Director of the Institute of American Indian Arts Museum (IAIA), Santa Fe, NM, USA, October 28, 2000 by Gérard Selbach

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Racial Violence at the Crossroads of West and South in Rosewood (John Singleton, 1997) by Claire Dutriaux

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L’odeur de l’axé by Arnaud Halloy

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Borrowing another voice or the Cyrano complex by Julie Vatain

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Tongues Untied (Marlon Riggs, 1989) et Paris is Burning (Jennie Livingston, 1990) : les documentaires du New Queer Cinema by Camille Bui

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Dans un Etat proche de l’Ohio : IOWA de Nancy Rexroth by Jean-Marc Victor

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