On Ælfric and Old English Metrical Theory
In 2016, Thomas A. Bredehoft wrote a reply to my criticism of his theory of Old English metre, according to which Ælfric's rhythmical compositions ought to be considered verse rather than prose. Here, I provide an answer to some of the points and some of the objections raised in his 2016 essay...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Ediuno. Ediciones de la Universidad de Oviedo
2025-07-01
|
| Series: | SELIM |
| Subjects: | |
| Online Access: | https://reunido.uniovi.es/index.php/SELIM/article/view/21515 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | In 2016, Thomas A. Bredehoft wrote a reply to my criticism of his theory of Old English metre, according to which Ælfric's rhythmical compositions ought to be considered verse rather than prose. Here, I provide an answer to some of the points and some of the objections raised in his 2016 essay. I conclude that Bredehoft's criticism of traditional Old English metrical theory is unwarranted, and that Ælfric appears to have regarded his rhythmical style as a special manner of prose composition. The piece ends in a positive note, commending Bredehoft for his work on Laȝamon's Brut and Chronicle verse.
|
|---|---|
| ISSN: | 1132-631X 2792-3878 |