Green Worlds: Shakespeare’s Plays and Early Modern Imagery
If Iago’s famous words to Othello defining jealousy as “the green-eyed monster” (3.3.170) clearly associate green with bilious envy, Cleopatra’s reference to her “salad days” (Antony and Cleopatra, 1.5.72) tends to equate ‘greenness’ with fresh innocence. This paper will seek to explore how such flu...
Saved in:
Main Author: | Anne-Marie COSTANTINI-CORNEDE |
---|---|
Format: | Article |
Language: | English |
Published: |
Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2015-06-01
|
Series: | E-REA |
Subjects: | |
Online Access: | https://journals.openedition.org/erea/4445 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
“How green!”: The Meanings of Green in Early Modern England and in The Tempest
by: Ayami OKI-SIEKIERCZAK
Published: (2015-06-01) -
Words as the Measure of Measure for Measure: Shakespeare’s Use of Rhetoric in the Play
by: Jean-Marie Maguin
Published: (2013-01-01) -
Food Symbolism and Imagery in the Polish Translations of William Shakespeare’s The Merry Wives of Windsor
by: Katarzyna Jaworska-Biskup
Published: (2023-09-01) -
Living-with Shakespeare?
by: Vincent Broqua
Published: (2010-10-01) -
SHAKESPEARE IN LITHUANIAN
by: Ema Vyroubalová, et al.
Published: (2023-07-01)