Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT)

This article deals with the consequences of the migration process in Chilean theatre thanks to the staged presentation of Una Casa Vacía by the Taller de Investigación Teatral and Raúl Osorio in 1998, year of the Pinochet Case. Director of an independent company emblematic of theatrical counter-cult...

Full description

Saved in:
Bibliographic Details
Main Author: Hélène Finet
Format: Article
Language:Spanish
Published: Groupe de Recherche Amérique Latine Histoire et Mémoire 2009-12-01
Series:Les Cahiers ALHIM
Subjects:
Online Access:https://journals.openedition.org/alhim/3326
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1841547153742233600
author Hélène Finet
author_facet Hélène Finet
author_sort Hélène Finet
collection DOAJ
description This article deals with the consequences of the migration process in Chilean theatre thanks to the staged presentation of Una Casa Vacía by the Taller de Investigación Teatral and Raúl Osorio in 1998, year of the Pinochet Case. Director of an independent company emblematic of theatrical counter-culture during the dictatorship years, we will show how Osorio manages to underline the issues of post-exile in the 1990’s addressing the topics of no man’s land identity meant by the impossible return to Chile.
format Article
id doaj-art-fd7b4eace7bf4fcfb8546c1e5201b631
institution Kabale University
issn 1628-6731
1777-5175
language Spanish
publishDate 2009-12-01
publisher Groupe de Recherche Amérique Latine Histoire et Mémoire
record_format Article
series Les Cahiers ALHIM
spelling doaj-art-fd7b4eace7bf4fcfb8546c1e5201b6312025-01-10T14:55:32ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752009-12-011810.4000/alhim.3326Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT)Hélène FinetThis article deals with the consequences of the migration process in Chilean theatre thanks to the staged presentation of Una Casa Vacía by the Taller de Investigación Teatral and Raúl Osorio in 1998, year of the Pinochet Case. Director of an independent company emblematic of theatrical counter-culture during the dictatorship years, we will show how Osorio manages to underline the issues of post-exile in the 1990’s addressing the topics of no man’s land identity meant by the impossible return to Chile.https://journals.openedition.org/alhim/3326identityexilemigrationsmemory
spellingShingle Hélène Finet
Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT)
Les Cahiers ALHIM
identity
exile
migrations
memory
title Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT)
title_full Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT)
title_fullStr Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT)
title_full_unstemmed Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT)
title_short Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT)
title_sort exils migrations et non lieu identitaire dans una casa vacia 1998 raul osorio tit
topic identity
exile
migrations
memory
url https://journals.openedition.org/alhim/3326
work_keys_str_mv AT helenefinet exilsmigrationsetnonlieuidentitairedansunacasavacia1998raulosoriotit