Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT)
This article deals with the consequences of the migration process in Chilean theatre thanks to the staged presentation of Una Casa Vacía by the Taller de Investigación Teatral and Raúl Osorio in 1998, year of the Pinochet Case. Director of an independent company emblematic of theatrical counter-cult...
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Format: | Article |
Language: | Spanish |
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Groupe de Recherche Amérique Latine Histoire et Mémoire
2009-12-01
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Series: | Les Cahiers ALHIM |
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Online Access: | https://journals.openedition.org/alhim/3326 |
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author | Hélène Finet |
author_facet | Hélène Finet |
author_sort | Hélène Finet |
collection | DOAJ |
description | This article deals with the consequences of the migration process in Chilean theatre thanks to the staged presentation of Una Casa Vacía by the Taller de Investigación Teatral and Raúl Osorio in 1998, year of the Pinochet Case. Director of an independent company emblematic of theatrical counter-culture during the dictatorship years, we will show how Osorio manages to underline the issues of post-exile in the 1990’s addressing the topics of no man’s land identity meant by the impossible return to Chile. |
format | Article |
id | doaj-art-fd7b4eace7bf4fcfb8546c1e5201b631 |
institution | Kabale University |
issn | 1628-6731 1777-5175 |
language | Spanish |
publishDate | 2009-12-01 |
publisher | Groupe de Recherche Amérique Latine Histoire et Mémoire |
record_format | Article |
series | Les Cahiers ALHIM |
spelling | doaj-art-fd7b4eace7bf4fcfb8546c1e5201b6312025-01-10T14:55:32ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752009-12-011810.4000/alhim.3326Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT)Hélène FinetThis article deals with the consequences of the migration process in Chilean theatre thanks to the staged presentation of Una Casa Vacía by the Taller de Investigación Teatral and Raúl Osorio in 1998, year of the Pinochet Case. Director of an independent company emblematic of theatrical counter-culture during the dictatorship years, we will show how Osorio manages to underline the issues of post-exile in the 1990’s addressing the topics of no man’s land identity meant by the impossible return to Chile.https://journals.openedition.org/alhim/3326identityexilemigrationsmemory |
spellingShingle | Hélène Finet Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT) Les Cahiers ALHIM identity exile migrations memory |
title | Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT) |
title_full | Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT) |
title_fullStr | Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT) |
title_full_unstemmed | Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT) |
title_short | Exils, migrations et non-lieu identitaire dans Una Casa Vacía (1998, Raúl Osorio, TIT) |
title_sort | exils migrations et non lieu identitaire dans una casa vacia 1998 raul osorio tit |
topic | identity exile migrations memory |
url | https://journals.openedition.org/alhim/3326 |
work_keys_str_mv | AT helenefinet exilsmigrationsetnonlieuidentitairedansunacasavacia1998raulosoriotit |