Une approche cognitive de la narrativité musicale
This paper hypothesizes a cognitive approach of musical narrativity : from the cognitive angle, music is necessarily narrative. In this perspective, the paper discusses three main points. (1) Experienciality, in the meaning of « real life experience » through a consciousness, is, according to Fluder...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2015-10-01
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| Series: | Cahiers de Narratologie |
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| Online Access: | https://journals.openedition.org/narratologie/7194 |
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| _version_ | 1846134426512130048 |
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| author | Christian Hauer |
| author_facet | Christian Hauer |
| author_sort | Christian Hauer |
| collection | DOAJ |
| description | This paper hypothesizes a cognitive approach of musical narrativity : from the cognitive angle, music is necessarily narrative. In this perspective, the paper discusses three main points. (1) Experienciality, in the meaning of « real life experience » through a consciousness, is, according to Fludernik, necessarily narrative. This concept is here applied to music. (2) In music, there is a narrator who tells the work, by a performance. He appears as the place of meaning. He is the concrete and essential presence so that there is music, or experienciality. (3) The embodied simulation (or empathy) appears like a cognitive phenomenon founding the musical and narrative experience of the listener, since it allows him to mimic physically the experienciality proposed by the narrator-performer. To address these points, this paper also approaches questions as essential as the mirror mechanism and thus reciprocal relationships between perception and action (see « inverse » and « forward models »), and the fictionality in music. |
| format | Article |
| id | doaj-art-fce2c2d765f642e7ab3efe38a035ed7c |
| institution | Kabale University |
| issn | 0993-8516 1765-307X |
| language | fra |
| publishDate | 2015-10-01 |
| publisher | Laboratoire Interdisciplinaire Récits Cultures Et Sociétés |
| record_format | Article |
| series | Cahiers de Narratologie |
| spelling | doaj-art-fce2c2d765f642e7ab3efe38a035ed7c2024-12-09T13:16:26ZfraLaboratoire Interdisciplinaire Récits Cultures Et SociétésCahiers de Narratologie0993-85161765-307X2015-10-012810.4000/narratologie.7194Une approche cognitive de la narrativité musicaleChristian HauerThis paper hypothesizes a cognitive approach of musical narrativity : from the cognitive angle, music is necessarily narrative. In this perspective, the paper discusses three main points. (1) Experienciality, in the meaning of « real life experience » through a consciousness, is, according to Fludernik, necessarily narrative. This concept is here applied to music. (2) In music, there is a narrator who tells the work, by a performance. He appears as the place of meaning. He is the concrete and essential presence so that there is music, or experienciality. (3) The embodied simulation (or empathy) appears like a cognitive phenomenon founding the musical and narrative experience of the listener, since it allows him to mimic physically the experienciality proposed by the narrator-performer. To address these points, this paper also approaches questions as essential as the mirror mechanism and thus reciprocal relationships between perception and action (see « inverse » and « forward models »), and the fictionality in music.https://journals.openedition.org/narratologie/7194narrateurnarrativitécognitionfictionnalitéperformanceexpériencialité |
| spellingShingle | Christian Hauer Une approche cognitive de la narrativité musicale Cahiers de Narratologie narrateur narrativité cognition fictionnalité performance expériencialité |
| title | Une approche cognitive de la narrativité musicale |
| title_full | Une approche cognitive de la narrativité musicale |
| title_fullStr | Une approche cognitive de la narrativité musicale |
| title_full_unstemmed | Une approche cognitive de la narrativité musicale |
| title_short | Une approche cognitive de la narrativité musicale |
| title_sort | une approche cognitive de la narrativite musicale |
| topic | narrateur narrativité cognition fictionnalité performance expériencialité |
| url | https://journals.openedition.org/narratologie/7194 |
| work_keys_str_mv | AT christianhauer uneapprochecognitivedelanarrativitemusicale |