Death and literature: Different approaches, from simplicity to obscurity

This study looks briefly at a range of ways in which writers have approached the concept of death, from expressions of personal grief, through to the ways in which attitudes to death represented in a culture are also picked up and used by writers from the culture concerned. Writers considered are mo...

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Main Author: John Skelton
Format: Article
Language:Catalan
Published: Universitat de València 2018-06-01
Series:Mètode Science Studies Journal: Annual Review
Subjects:
Online Access:https://turia.uv.es/index.php/Metode/article/view/10567
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author John Skelton
author_facet John Skelton
author_sort John Skelton
collection DOAJ
description This study looks briefly at a range of ways in which writers have approached the concept of death, from expressions of personal grief, through to the ways in which attitudes to death represented in a culture are also picked up and used by writers from the culture concerned. Writers considered are mostly (but not all) from the English and Spanish language traditions, and in particular Seamus Heaney, Thomas Hardy, Miguel de Cervantes and Federico García Lorca. The point is made that not all writing about death is centred on death as a source of personal grief, though a great deal is. Also considered is the way in which some writing about death is transparent, and in a sense overtly simple, while other writing is less so, and may even seem obscure.
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publisher Universitat de València
record_format Article
series Mètode Science Studies Journal: Annual Review
spelling doaj-art-fb662d7e3a1d45a3b994f4c2a7e886cf2024-11-18T16:02:18ZcatUniversitat de ValènciaMètode Science Studies Journal: Annual Review2174-34872174-92212018-06-01810.7203/metode.8.10567Death and literature: Different approaches, from simplicity to obscurityJohn Skelton0<p>University of Birmingham (United Kingdom)</p>This study looks briefly at a range of ways in which writers have approached the concept of death, from expressions of personal grief, through to the ways in which attitudes to death represented in a culture are also picked up and used by writers from the culture concerned. Writers considered are mostly (but not all) from the English and Spanish language traditions, and in particular Seamus Heaney, Thomas Hardy, Miguel de Cervantes and Federico García Lorca. The point is made that not all writing about death is centred on death as a source of personal grief, though a great deal is. Also considered is the way in which some writing about death is transparent, and in a sense overtly simple, while other writing is less so, and may even seem obscure. https://turia.uv.es/index.php/Metode/article/view/10567deathliteraturemedical humanitiesgriefapproaches to dying
spellingShingle John Skelton
Death and literature: Different approaches, from simplicity to obscurity
Mètode Science Studies Journal: Annual Review
death
literature
medical humanities
grief
approaches to dying
title Death and literature: Different approaches, from simplicity to obscurity
title_full Death and literature: Different approaches, from simplicity to obscurity
title_fullStr Death and literature: Different approaches, from simplicity to obscurity
title_full_unstemmed Death and literature: Different approaches, from simplicity to obscurity
title_short Death and literature: Different approaches, from simplicity to obscurity
title_sort death and literature different approaches from simplicity to obscurity
topic death
literature
medical humanities
grief
approaches to dying
url https://turia.uv.es/index.php/Metode/article/view/10567
work_keys_str_mv AT johnskelton deathandliteraturedifferentapproachesfromsimplicitytoobscurity