Accompagner les élèves dans leurs expériences artistiques : des milieux rythmiques ?

Arts and Cultural Education (EAC) seeks education in and through art, that is carried out in the succession of projects forming part of courses (“Artistic and cultural education course”). At a distancefrom disciplinary teachings, the projects seek meetings and practices related to the structuring of...

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Main Author: Sylvain Fabre
Format: Article
Language:fra
Published: Nantes Université 2022-11-01
Series:Recherches en Éducation
Subjects:
Online Access:https://journals.openedition.org/ree/11369
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author Sylvain Fabre
author_facet Sylvain Fabre
author_sort Sylvain Fabre
collection DOAJ
description Arts and Cultural Education (EAC) seeks education in and through art, that is carried out in the succession of projects forming part of courses (“Artistic and cultural education course”). At a distancefrom disciplinary teachings, the projects seek meetings and practices related to the structuring of knowledge. What to expect from such projects ? The paper is based on an observation carried out in a “Dance” workshop. It reports on changes in a student's behavior, from an attitude of withdrawal towards a first adhesion. It proposes to interpret this shift and the teaching actions that may have enabled it from the notion of “rhythmic environment”. This notion mobilizes the fields of aesthetics, didactics and work philosophy (Canguilhem, Schwartz). It sheds light on the EAC as jointly playing on cultural openness and reflexive return, involving heterogeneous and complementary dimensions. The EAC, by building a rhythmic environment for the student, helps him to open up to the cultural experience.
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issn 1954-3077
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series Recherches en Éducation
spelling doaj-art-f9f7014d2bcd4d90999bbc9e8ec265132025-01-10T14:04:55ZfraNantes UniversitéRecherches en Éducation1954-30772022-11-014910.4000/ree.11369Accompagner les élèves dans leurs expériences artistiques : des milieux rythmiques ?Sylvain FabreArts and Cultural Education (EAC) seeks education in and through art, that is carried out in the succession of projects forming part of courses (“Artistic and cultural education course”). At a distancefrom disciplinary teachings, the projects seek meetings and practices related to the structuring of knowledge. What to expect from such projects ? The paper is based on an observation carried out in a “Dance” workshop. It reports on changes in a student's behavior, from an attitude of withdrawal towards a first adhesion. It proposes to interpret this shift and the teaching actions that may have enabled it from the notion of “rhythmic environment”. This notion mobilizes the fields of aesthetics, didactics and work philosophy (Canguilhem, Schwartz). It sheds light on the EAC as jointly playing on cultural openness and reflexive return, involving heterogeneous and complementary dimensions. The EAC, by building a rhythmic environment for the student, helps him to open up to the cultural experience.https://journals.openedition.org/ree/11369arts education
spellingShingle Sylvain Fabre
Accompagner les élèves dans leurs expériences artistiques : des milieux rythmiques ?
Recherches en Éducation
arts education
title Accompagner les élèves dans leurs expériences artistiques : des milieux rythmiques ?
title_full Accompagner les élèves dans leurs expériences artistiques : des milieux rythmiques ?
title_fullStr Accompagner les élèves dans leurs expériences artistiques : des milieux rythmiques ?
title_full_unstemmed Accompagner les élèves dans leurs expériences artistiques : des milieux rythmiques ?
title_short Accompagner les élèves dans leurs expériences artistiques : des milieux rythmiques ?
title_sort accompagner les eleves dans leurs experiences artistiques des milieux rythmiques
topic arts education
url https://journals.openedition.org/ree/11369
work_keys_str_mv AT sylvainfabre accompagnerleselevesdansleursexperiencesartistiquesdesmilieuxrythmiques