« Cette femme éminente a touché l’âme universelle ». Une théorie médicale du talent de l’actrice-chanteuse dans La Pasta nell’Otello de Luigi Morando De Rizzoni (Vérone, Crescini, 1830)
Luigi Morando De Rizzoni’s fictional dialogue La Pasta nell’Otello was published in Verona following Giuditta Pasta’s tour of northern Italy during the winter of 1829-1830. Five characters spend their evening debating the singer’s talent, its causes and effects. Explicitly taking the side of the sin...
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| Language: | fra |
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École Normale Supérieure de Lyon Editions
2017-11-01
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| Series: | Laboratoire Italien |
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| Online Access: | https://journals.openedition.org/laboratoireitalien/1546 |
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| author | Céline Frigau Manning |
| author_facet | Céline Frigau Manning |
| author_sort | Céline Frigau Manning |
| collection | DOAJ |
| description | Luigi Morando De Rizzoni’s fictional dialogue La Pasta nell’Otello was published in Verona following Giuditta Pasta’s tour of northern Italy during the winter of 1829-1830. Five characters spend their evening debating the singer’s talent, its causes and effects. Explicitly taking the side of the singer, the dialogue’s author, a wine producer and the brother of a doctor, provides us with a fascinating text, both from the perspective of the opinions and accounts which he develops concerning Giuditta Pasta’s singing and acting in Rossini’s Otello, as well as the elements of aesthetic and medical theories which he integrates into his arguments. Indeed, the dialogue aims at establishing a universal aesthetic judgment on man’s physiological nature, and the physical and moral effect on this nature which Giuditta Pasta, perceived as being exceptional, produces. In this way, contrary to erudite criticism – above all attentive to technical and musical aspects – De Rizzoni proposes a theory of aesthetic reception based on the communication of passions. The following text is the full translation of this document, previously unpublished in French. |
| format | Article |
| id | doaj-art-f87cf740dd264e12ba11d832ec794f5c |
| institution | Kabale University |
| issn | 1627-9204 2117-4970 |
| language | fra |
| publishDate | 2017-11-01 |
| publisher | École Normale Supérieure de Lyon Editions |
| record_format | Article |
| series | Laboratoire Italien |
| spelling | doaj-art-f87cf740dd264e12ba11d832ec794f5c2025-01-10T13:00:52ZfraÉcole Normale Supérieure de Lyon EditionsLaboratoire Italien1627-92042117-49702017-11-012010.4000/laboratoireitalien.1546« Cette femme éminente a touché l’âme universelle ». Une théorie médicale du talent de l’actrice-chanteuse dans La Pasta nell’Otello de Luigi Morando De Rizzoni (Vérone, Crescini, 1830)Céline Frigau ManningLuigi Morando De Rizzoni’s fictional dialogue La Pasta nell’Otello was published in Verona following Giuditta Pasta’s tour of northern Italy during the winter of 1829-1830. Five characters spend their evening debating the singer’s talent, its causes and effects. Explicitly taking the side of the singer, the dialogue’s author, a wine producer and the brother of a doctor, provides us with a fascinating text, both from the perspective of the opinions and accounts which he develops concerning Giuditta Pasta’s singing and acting in Rossini’s Otello, as well as the elements of aesthetic and medical theories which he integrates into his arguments. Indeed, the dialogue aims at establishing a universal aesthetic judgment on man’s physiological nature, and the physical and moral effect on this nature which Giuditta Pasta, perceived as being exceptional, produces. In this way, contrary to erudite criticism – above all attentive to technical and musical aspects – De Rizzoni proposes a theory of aesthetic reception based on the communication of passions. The following text is the full translation of this document, previously unpublished in French.https://journals.openedition.org/laboratoireitalien/1546musicmedicineGiuditta PastaLuigi Morando De Rizzonipassions |
| spellingShingle | Céline Frigau Manning « Cette femme éminente a touché l’âme universelle ». Une théorie médicale du talent de l’actrice-chanteuse dans La Pasta nell’Otello de Luigi Morando De Rizzoni (Vérone, Crescini, 1830) Laboratoire Italien music medicine Giuditta Pasta Luigi Morando De Rizzoni passions |
| title | « Cette femme éminente a touché l’âme universelle ». Une théorie médicale du talent de l’actrice-chanteuse dans La Pasta nell’Otello de Luigi Morando De Rizzoni (Vérone, Crescini, 1830) |
| title_full | « Cette femme éminente a touché l’âme universelle ». Une théorie médicale du talent de l’actrice-chanteuse dans La Pasta nell’Otello de Luigi Morando De Rizzoni (Vérone, Crescini, 1830) |
| title_fullStr | « Cette femme éminente a touché l’âme universelle ». Une théorie médicale du talent de l’actrice-chanteuse dans La Pasta nell’Otello de Luigi Morando De Rizzoni (Vérone, Crescini, 1830) |
| title_full_unstemmed | « Cette femme éminente a touché l’âme universelle ». Une théorie médicale du talent de l’actrice-chanteuse dans La Pasta nell’Otello de Luigi Morando De Rizzoni (Vérone, Crescini, 1830) |
| title_short | « Cette femme éminente a touché l’âme universelle ». Une théorie médicale du talent de l’actrice-chanteuse dans La Pasta nell’Otello de Luigi Morando De Rizzoni (Vérone, Crescini, 1830) |
| title_sort | cette femme eminente a touche l ame universelle une theorie medicale du talent de l actrice chanteuse dans la pasta nell otello de luigi morando de rizzoni verone crescini 1830 |
| topic | music medicine Giuditta Pasta Luigi Morando De Rizzoni passions |
| url | https://journals.openedition.org/laboratoireitalien/1546 |
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