Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft
This paper deals with the cooperation that the sculptor Isamu Noguchi and the architect Gordon Bunshaft established in the United States for two decades, following World War II. In spite of the unfavourable context at that time, they worked on several projects that contributed to a renewal of the co...
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Language: | fra |
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Ministère de la Culture et de la Communication
2017-07-01
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Series: | In Situ |
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Online Access: | https://journals.openedition.org/insitu/14987 |
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author | Hiromi Matsugi |
author_facet | Hiromi Matsugi |
author_sort | Hiromi Matsugi |
collection | DOAJ |
description | This paper deals with the cooperation that the sculptor Isamu Noguchi and the architect Gordon Bunshaft established in the United States for two decades, following World War II. In spite of the unfavourable context at that time, they worked on several projects that contributed to a renewal of the concept of public space, anticipating the change in urban legislation and the renewal of public art which started at the end of the 1960s. The analysis of three projects – Lever House courtyard (New York, 1951-1953), Chase Manhattan plaza (New York, 1956-1964) and the garden of the Beinecke Library (Yale University, 1960-1963) – allows us to understand how two creators took advantage of a potential obstacle to achieve their projects, and appreciate an artistic work in the context of a close collaboration. |
format | Article |
id | doaj-art-f7bc21caa22a49e1b39f7bf1625677d4 |
institution | Kabale University |
issn | 1630-7305 |
language | fra |
publishDate | 2017-07-01 |
publisher | Ministère de la Culture et de la Communication |
record_format | Article |
series | In Situ |
spelling | doaj-art-f7bc21caa22a49e1b39f7bf1625677d42025-01-09T12:43:56ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052017-07-013210.4000/insitu.14987Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon BunshaftHiromi MatsugiThis paper deals with the cooperation that the sculptor Isamu Noguchi and the architect Gordon Bunshaft established in the United States for two decades, following World War II. In spite of the unfavourable context at that time, they worked on several projects that contributed to a renewal of the concept of public space, anticipating the change in urban legislation and the renewal of public art which started at the end of the 1960s. The analysis of three projects – Lever House courtyard (New York, 1951-1953), Chase Manhattan plaza (New York, 1956-1964) and the garden of the Beinecke Library (Yale University, 1960-1963) – allows us to understand how two creators took advantage of a potential obstacle to achieve their projects, and appreciate an artistic work in the context of a close collaboration.https://journals.openedition.org/insitu/14987United Statespostwaroffice buildingpublic spaceplaza |
spellingShingle | Hiromi Matsugi Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft In Situ United States postwar office building public space plaza |
title | Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft |
title_full | Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft |
title_fullStr | Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft |
title_full_unstemmed | Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft |
title_short | Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft |
title_sort | invention d un nouvel espace public la collaboration entre isamu noguchi et gordon bunshaft |
topic | United States postwar office building public space plaza |
url | https://journals.openedition.org/insitu/14987 |
work_keys_str_mv | AT hiromimatsugi inventiondunnouvelespacepubliclacollaborationentreisamunoguchietgordonbunshaft |