Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft

This paper deals with the cooperation that the sculptor Isamu Noguchi and the architect Gordon Bunshaft established in the United States for two decades, following World War II. In spite of the unfavourable context at that time, they worked on several projects that contributed to a renewal of the co...

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Main Author: Hiromi Matsugi
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2017-07-01
Series:In Situ
Subjects:
Online Access:https://journals.openedition.org/insitu/14987
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author Hiromi Matsugi
author_facet Hiromi Matsugi
author_sort Hiromi Matsugi
collection DOAJ
description This paper deals with the cooperation that the sculptor Isamu Noguchi and the architect Gordon Bunshaft established in the United States for two decades, following World War II. In spite of the unfavourable context at that time, they worked on several projects that contributed to a renewal of the concept of public space, anticipating the change in urban legislation and the renewal of public art which started at the end of the 1960s. The analysis of three projects – Lever House courtyard (New York, 1951-1953), Chase Manhattan plaza (New York, 1956-1964) and the garden of the Beinecke Library (Yale University, 1960-1963) – allows us to understand how two creators took advantage of a potential obstacle to achieve their projects, and appreciate an artistic work in the context of a close collaboration.
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spelling doaj-art-f7bc21caa22a49e1b39f7bf1625677d42025-01-09T12:43:56ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052017-07-013210.4000/insitu.14987Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon BunshaftHiromi MatsugiThis paper deals with the cooperation that the sculptor Isamu Noguchi and the architect Gordon Bunshaft established in the United States for two decades, following World War II. In spite of the unfavourable context at that time, they worked on several projects that contributed to a renewal of the concept of public space, anticipating the change in urban legislation and the renewal of public art which started at the end of the 1960s. The analysis of three projects – Lever House courtyard (New York, 1951-1953), Chase Manhattan plaza (New York, 1956-1964) and the garden of the Beinecke Library (Yale University, 1960-1963) – allows us to understand how two creators took advantage of a potential obstacle to achieve their projects, and appreciate an artistic work in the context of a close collaboration.https://journals.openedition.org/insitu/14987United Statespostwaroffice buildingpublic spaceplaza
spellingShingle Hiromi Matsugi
Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft
In Situ
United States
postwar
office building
public space
plaza
title Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft
title_full Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft
title_fullStr Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft
title_full_unstemmed Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft
title_short Invention d’un nouvel espace public : la collaboration entre Isamu Noguchi et Gordon Bunshaft
title_sort invention d un nouvel espace public la collaboration entre isamu noguchi et gordon bunshaft
topic United States
postwar
office building
public space
plaza
url https://journals.openedition.org/insitu/14987
work_keys_str_mv AT hiromimatsugi inventiondunnouvelespacepubliclacollaborationentreisamunoguchietgordonbunshaft