Emil Utitz et la « science générale de l’art »
This article is a contribution to the genealogy of the Science of Art, a discipline that emerged in the German speaking countries at the turn of the 19th and 20th centuries at the crossing of aesthetics, art philosophy and art history and to which the Second World War brought an end. It attempts to...
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| Format: | Article |
| Language: | deu |
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Presses universitaires de Strasbourg
2022-12-01
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| Series: | Recherches Germaniques |
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| Online Access: | https://journals.openedition.org/rg/8843 |
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| _version_ | 1841547618961850368 |
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| author | Lara Bonneau |
| author_facet | Lara Bonneau |
| author_sort | Lara Bonneau |
| collection | DOAJ |
| description | This article is a contribution to the genealogy of the Science of Art, a discipline that emerged in the German speaking countries at the turn of the 19th and 20th centuries at the crossing of aesthetics, art philosophy and art history and to which the Second World War brought an end. It attempts to revive a relatively unknown figure: the German-speaking Czech philosopher Emil Utitz (1883-1956), who in the 1920s and 1930s tried to give a philosophical grounding to this new science. Against what he regarded as an aesthetic subjectivism—be it the aesthetics of the judgement of taste, the Hegelian science of beauty or the psychophysiological aesthetics—Utitz developped an ontology of the work of art based on its “objectality”. The article attempts to retrace the key elements of this systematisation project. |
| format | Article |
| id | doaj-art-f71a66adfcd84bd6bbab5b0adca59688 |
| institution | Kabale University |
| issn | 0399-1989 2649-860X |
| language | deu |
| publishDate | 2022-12-01 |
| publisher | Presses universitaires de Strasbourg |
| record_format | Article |
| series | Recherches Germaniques |
| spelling | doaj-art-f71a66adfcd84bd6bbab5b0adca596882025-01-10T14:28:44ZdeuPresses universitaires de StrasbourgRecherches Germaniques0399-19892649-860X2022-12-0152739010.4000/rg.8843Emil Utitz et la « science générale de l’art »Lara BonneauThis article is a contribution to the genealogy of the Science of Art, a discipline that emerged in the German speaking countries at the turn of the 19th and 20th centuries at the crossing of aesthetics, art philosophy and art history and to which the Second World War brought an end. It attempts to revive a relatively unknown figure: the German-speaking Czech philosopher Emil Utitz (1883-1956), who in the 1920s and 1930s tried to give a philosophical grounding to this new science. Against what he regarded as an aesthetic subjectivism—be it the aesthetics of the judgement of taste, the Hegelian science of beauty or the psychophysiological aesthetics—Utitz developped an ontology of the work of art based on its “objectality”. The article attempts to retrace the key elements of this systematisation project.https://journals.openedition.org/rg/8843aestheticsgeneral science of artsUtitzobjectalityontology of art |
| spellingShingle | Lara Bonneau Emil Utitz et la « science générale de l’art » Recherches Germaniques aesthetics general science of arts Utitz objectality ontology of art |
| title | Emil Utitz et la « science générale de l’art » |
| title_full | Emil Utitz et la « science générale de l’art » |
| title_fullStr | Emil Utitz et la « science générale de l’art » |
| title_full_unstemmed | Emil Utitz et la « science générale de l’art » |
| title_short | Emil Utitz et la « science générale de l’art » |
| title_sort | emil utitz et la science generale de l art |
| topic | aesthetics general science of arts Utitz objectality ontology of art |
| url | https://journals.openedition.org/rg/8843 |
| work_keys_str_mv | AT larabonneau emilutitzetlasciencegeneraledelart |