¿Amistad excepcional? Pensar las relaciones musicales entre Chile, Cuba y Uruguay (1967-1973)
With a gap of a few years, popular and folk musicians from Latin America tried to meet other audiences, developing international tours and a musical work closely related to musical diplomacy. Simultaneously, its local music scenes expanded and consolidated, successfully promoting the arrival of soun...
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| Main Author: | |
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| Format: | Article |
| Language: | Spanish |
| Published: |
Presses universitaires du Midi
2024-12-01
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| Series: | Caravelle |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caravelle/16278 |
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| _version_ | 1841551371059331072 |
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| author | Javier Rodríguez Aedo |
| author_facet | Javier Rodríguez Aedo |
| author_sort | Javier Rodríguez Aedo |
| collection | DOAJ |
| description | With a gap of a few years, popular and folk musicians from Latin America tried to meet other audiences, developing international tours and a musical work closely related to musical diplomacy. Simultaneously, its local music scenes expanded and consolidated, successfully promoting the arrival of sounds from Latin America, the Soviet countryside, and Africa. This article addresses the musical and political relationships between Chilean, Cuban, and Uruguayan artists, developed within the framework of the dynamics of the internationalization of political song, underway at the end of the 1960s. |
| format | Article |
| id | doaj-art-f6b78cad61924dcebcfb94b44d691fb0 |
| institution | Kabale University |
| issn | 1147-6753 2272-9828 |
| language | Spanish |
| publishDate | 2024-12-01 |
| publisher | Presses universitaires du Midi |
| record_format | Article |
| series | Caravelle |
| spelling | doaj-art-f6b78cad61924dcebcfb94b44d691fb02025-01-09T16:15:58ZspaPresses universitaires du MidiCaravelle1147-67532272-98282024-12-01123799810.4000/1315e¿Amistad excepcional? Pensar las relaciones musicales entre Chile, Cuba y Uruguay (1967-1973)Javier Rodríguez AedoWith a gap of a few years, popular and folk musicians from Latin America tried to meet other audiences, developing international tours and a musical work closely related to musical diplomacy. Simultaneously, its local music scenes expanded and consolidated, successfully promoting the arrival of sounds from Latin America, the Soviet countryside, and Africa. This article addresses the musical and political relationships between Chilean, Cuban, and Uruguayan artists, developed within the framework of the dynamics of the internationalization of political song, underway at the end of the 1960s.https://journals.openedition.org/caravelle/16278Folk musicPopular musicConnected historyMusical relationshipInternationalization |
| spellingShingle | Javier Rodríguez Aedo ¿Amistad excepcional? Pensar las relaciones musicales entre Chile, Cuba y Uruguay (1967-1973) Caravelle Folk music Popular music Connected history Musical relationship Internationalization |
| title | ¿Amistad excepcional? Pensar las relaciones musicales entre Chile, Cuba y Uruguay (1967-1973) |
| title_full | ¿Amistad excepcional? Pensar las relaciones musicales entre Chile, Cuba y Uruguay (1967-1973) |
| title_fullStr | ¿Amistad excepcional? Pensar las relaciones musicales entre Chile, Cuba y Uruguay (1967-1973) |
| title_full_unstemmed | ¿Amistad excepcional? Pensar las relaciones musicales entre Chile, Cuba y Uruguay (1967-1973) |
| title_short | ¿Amistad excepcional? Pensar las relaciones musicales entre Chile, Cuba y Uruguay (1967-1973) |
| title_sort | amistad excepcional pensar las relaciones musicales entre chile cuba y uruguay 1967 1973 |
| topic | Folk music Popular music Connected history Musical relationship Internationalization |
| url | https://journals.openedition.org/caravelle/16278 |
| work_keys_str_mv | AT javierrodriguezaedo amistadexcepcionalpensarlasrelacionesmusicalesentrechilecubayuruguay19671973 |