Aesthetic study of Abolfazl Zarūī 's Rofūzehā in terms of language, meaning and music
This article deals with the aesthetic analysis of three important stylistic dimensions (language, meaning, and music) in Rofūzehā (The Failed Ones), the satirical poetry collection of Abolfazl Zarūī Nasrābād. Inconsistencies and defamiliarizations in the realm of humor occur in various domains and d...
Saved in:
| Main Authors: | , , |
|---|---|
| Format: | Article |
| Language: | fas |
| Published: |
Semnan University
2023-11-01
|
| Series: | مطالعات زبانی و بلاغی |
| Subjects: | |
| Online Access: | https://rhetorical.semnan.ac.ir/article_8291_4450c605bd68d3ffdd7804a226a0de32.pdf |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1841527794188681216 |
|---|---|
| author | Elham Omomi Morteza Rashidi Ashjerdi Mehrdad Chatraei |
| author_facet | Elham Omomi Morteza Rashidi Ashjerdi Mehrdad Chatraei |
| author_sort | Elham Omomi |
| collection | DOAJ |
| description | This article deals with the aesthetic analysis of three important stylistic dimensions (language, meaning, and music) in Rofūzehā (The Failed Ones), the satirical poetry collection of Abolfazl Zarūī Nasrābād. Inconsistencies and defamiliarizations in the realm of humor occur in various domains and delight the audience. By applying some rules to these three stylistic dimensions, Zarūī has created inconsistencies in poetry and has thus enlivened the humor in his work. The present authors have aimed to reveal the subtleties and techniques of Zarūī's humor and extract frequent features in determining the poet's stylistic identity. The research method is descriptive-analytical and library-based. The results of the research show that he has displayed his skills in the field of language through techniques such as coinage, colloquial writing, westernization, and traditionalism. Concerning meaning, he has transformed speech by nonsensical composition, omission, revelation, and contradiction. As for music in his poetry, he has created a proportionate and coherent atmosphere for humor by breaking the usual rules of meter, rhyme, and rhythm. |
| format | Article |
| id | doaj-art-f66712a933e54724a784b9a7b173df8f |
| institution | Kabale University |
| issn | 2008-9570 2717-090X |
| language | fas |
| publishDate | 2023-11-01 |
| publisher | Semnan University |
| record_format | Article |
| series | مطالعات زبانی و بلاغی |
| spelling | doaj-art-f66712a933e54724a784b9a7b173df8f2025-01-15T08:08:40ZfasSemnan Universityمطالعات زبانی و بلاغی2008-95702717-090X2023-11-01143314517610.22075/jlrs.2023.28271.21678291Aesthetic study of Abolfazl Zarūī 's Rofūzehā in terms of language, meaning and musicElham Omomi0Morteza Rashidi Ashjerdi1Mehrdad Chatraei2PhD Student, Department of Persian Language and Literature, Najafabad Branch, Islamic Azad University, Najafabad, IranAssistant Professor, Department of Persian Language and Literature, Najafabad Branch, Islamic Azad University, Najafabad, IranAssistant Professor, Department of Persian Language and Literature, Najafabad Branch, Islamic Azad University, Najafabad, IranThis article deals with the aesthetic analysis of three important stylistic dimensions (language, meaning, and music) in Rofūzehā (The Failed Ones), the satirical poetry collection of Abolfazl Zarūī Nasrābād. Inconsistencies and defamiliarizations in the realm of humor occur in various domains and delight the audience. By applying some rules to these three stylistic dimensions, Zarūī has created inconsistencies in poetry and has thus enlivened the humor in his work. The present authors have aimed to reveal the subtleties and techniques of Zarūī's humor and extract frequent features in determining the poet's stylistic identity. The research method is descriptive-analytical and library-based. The results of the research show that he has displayed his skills in the field of language through techniques such as coinage, colloquial writing, westernization, and traditionalism. Concerning meaning, he has transformed speech by nonsensical composition, omission, revelation, and contradiction. As for music in his poetry, he has created a proportionate and coherent atmosphere for humor by breaking the usual rules of meter, rhyme, and rhythm.https://rhetorical.semnan.ac.ir/article_8291_4450c605bd68d3ffdd7804a226a0de32.pdfabolfazl zarūī nasrābādstructure analysisrofūzehāhumorstylisticsaesthetics |
| spellingShingle | Elham Omomi Morteza Rashidi Ashjerdi Mehrdad Chatraei Aesthetic study of Abolfazl Zarūī 's Rofūzehā in terms of language, meaning and music مطالعات زبانی و بلاغی abolfazl zarūī nasrābād structure analysis rofūzehā humor stylistics aesthetics |
| title | Aesthetic study of Abolfazl Zarūī 's Rofūzehā in terms of language, meaning and music |
| title_full | Aesthetic study of Abolfazl Zarūī 's Rofūzehā in terms of language, meaning and music |
| title_fullStr | Aesthetic study of Abolfazl Zarūī 's Rofūzehā in terms of language, meaning and music |
| title_full_unstemmed | Aesthetic study of Abolfazl Zarūī 's Rofūzehā in terms of language, meaning and music |
| title_short | Aesthetic study of Abolfazl Zarūī 's Rofūzehā in terms of language, meaning and music |
| title_sort | aesthetic study of abolfazl zarui s rofuzeha in terms of language meaning and music |
| topic | abolfazl zarūī nasrābād structure analysis rofūzehā humor stylistics aesthetics |
| url | https://rhetorical.semnan.ac.ir/article_8291_4450c605bd68d3ffdd7804a226a0de32.pdf |
| work_keys_str_mv | AT elhamomomi aestheticstudyofabolfazlzaruisrofuzehaintermsoflanguagemeaningandmusic AT mortezarashidiashjerdi aestheticstudyofabolfazlzaruisrofuzehaintermsoflanguagemeaningandmusic AT mehrdadchatraei aestheticstudyofabolfazlzaruisrofuzehaintermsoflanguagemeaningandmusic |