Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning
This note is a condensed version of a forthcoming study to appear in Popular religion and ritual in Prehistoric and ancient Greece and the east Mediterranean, edited by G. Vavouranakis, K. Kopanias, K. Kanellopoulos and Y. Papadatos, Oxbow, 2017. It focuses on handmade figurines of the Classical per...
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Format: | Article |
Language: | English |
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ACoSt - Association for Coroplastic Studies
2017-04-01
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Series: | Les Carnets de l’ACoSt |
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Online Access: | https://journals.openedition.org/acost/1018 |
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author | Maria G. Spathi |
author_facet | Maria G. Spathi |
author_sort | Maria G. Spathi |
collection | DOAJ |
description | This note is a condensed version of a forthcoming study to appear in Popular religion and ritual in Prehistoric and ancient Greece and the east Mediterranean, edited by G. Vavouranakis, K. Kopanias, K. Kanellopoulos and Y. Papadatos, Oxbow, 2017. It focuses on handmade figurines of the Classical period with mold-made, mask-like faces that were brought to light at the Cave of the Nymphs in Lechova, Corinthia. An examination of their iconographic characteristics in relation to other representations of similar iconography, as well as literary sources mentioning the use of masks in ritual, shed light on their use in initiation rites. |
format | Article |
id | doaj-art-f39c14c60ec24fcaac0a3fbbd2fb8f50 |
institution | Kabale University |
issn | 2431-8574 |
language | English |
publishDate | 2017-04-01 |
publisher | ACoSt - Association for Coroplastic Studies |
record_format | Article |
series | Les Carnets de l’ACoSt |
spelling | doaj-art-f39c14c60ec24fcaac0a3fbbd2fb8f502025-01-09T13:00:00ZengACoSt - Association for Coroplastic StudiesLes Carnets de l’ACoSt2431-85742017-04-011610.4000/acost.1018Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and MeaningMaria G. SpathiThis note is a condensed version of a forthcoming study to appear in Popular religion and ritual in Prehistoric and ancient Greece and the east Mediterranean, edited by G. Vavouranakis, K. Kopanias, K. Kanellopoulos and Y. Papadatos, Oxbow, 2017. It focuses on handmade figurines of the Classical period with mold-made, mask-like faces that were brought to light at the Cave of the Nymphs in Lechova, Corinthia. An examination of their iconographic characteristics in relation to other representations of similar iconography, as well as literary sources mentioning the use of masks in ritual, shed light on their use in initiation rites.https://journals.openedition.org/acost/1018Cave of the Nymphsmasks in ritualmasksritual performance |
spellingShingle | Maria G. Spathi Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning Les Carnets de l’ACoSt Cave of the Nymphs masks in ritual masks ritual performance |
title | Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning |
title_full | Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning |
title_fullStr | Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning |
title_full_unstemmed | Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning |
title_short | Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning |
title_sort | representations of masked figures a comparative study and an interpretative approach to their cult use and meaning |
topic | Cave of the Nymphs masks in ritual masks ritual performance |
url | https://journals.openedition.org/acost/1018 |
work_keys_str_mv | AT mariagspathi representationsofmaskedfiguresacomparativestudyandaninterpretativeapproachtotheircultuseandmeaning |