Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning

This note is a condensed version of a forthcoming study to appear in Popular religion and ritual in Prehistoric and ancient Greece and the east Mediterranean, edited by G. Vavouranakis, K. Kopanias, K. Kanellopoulos and Y. Papadatos, Oxbow, 2017. It focuses on handmade figurines of the Classical per...

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Main Author: Maria G. Spathi
Format: Article
Language:English
Published: ACoSt - Association for Coroplastic Studies 2017-04-01
Series:Les Carnets de l’ACoSt
Subjects:
Online Access:https://journals.openedition.org/acost/1018
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author Maria G. Spathi
author_facet Maria G. Spathi
author_sort Maria G. Spathi
collection DOAJ
description This note is a condensed version of a forthcoming study to appear in Popular religion and ritual in Prehistoric and ancient Greece and the east Mediterranean, edited by G. Vavouranakis, K. Kopanias, K. Kanellopoulos and Y. Papadatos, Oxbow, 2017. It focuses on handmade figurines of the Classical period with mold-made, mask-like faces that were brought to light at the Cave of the Nymphs in Lechova, Corinthia. An examination of their iconographic characteristics in relation to other representations of similar iconography, as well as literary sources mentioning the use of masks in ritual, shed light on their use in initiation rites.
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publisher ACoSt - Association for Coroplastic Studies
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series Les Carnets de l’ACoSt
spelling doaj-art-f39c14c60ec24fcaac0a3fbbd2fb8f502025-01-09T13:00:00ZengACoSt - Association for Coroplastic StudiesLes Carnets de l’ACoSt2431-85742017-04-011610.4000/acost.1018Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and MeaningMaria G. SpathiThis note is a condensed version of a forthcoming study to appear in Popular religion and ritual in Prehistoric and ancient Greece and the east Mediterranean, edited by G. Vavouranakis, K. Kopanias, K. Kanellopoulos and Y. Papadatos, Oxbow, 2017. It focuses on handmade figurines of the Classical period with mold-made, mask-like faces that were brought to light at the Cave of the Nymphs in Lechova, Corinthia. An examination of their iconographic characteristics in relation to other representations of similar iconography, as well as literary sources mentioning the use of masks in ritual, shed light on their use in initiation rites.https://journals.openedition.org/acost/1018Cave of the Nymphsmasks in ritualmasksritual performance
spellingShingle Maria G. Spathi
Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning
Les Carnets de l’ACoSt
Cave of the Nymphs
masks in ritual
masks
ritual performance
title Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning
title_full Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning
title_fullStr Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning
title_full_unstemmed Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning
title_short Representations of Masked Figures: A Comparative Study and an Interpretative Approach to their Cult-Use and Meaning
title_sort representations of masked figures a comparative study and an interpretative approach to their cult use and meaning
topic Cave of the Nymphs
masks in ritual
masks
ritual performance
url https://journals.openedition.org/acost/1018
work_keys_str_mv AT mariagspathi representationsofmaskedfiguresacomparativestudyandaninterpretativeapproachtotheircultuseandmeaning