Men of Letters: W.B. Yeats’s A Packet for Ezra Pound (1929)

If Bakhtin’s “dialogic imagination” suggests the novel’s discourse is structured to expect an answer, Yeats’s dialogic imagination is best expressed in non-fictional prose. Acting as preface to A Vision (1937), as published in 1929 by Cuala Press, A Packet for Ezra Pound asserts an often overlooked...

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Main Author: Adrian PATERSON
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2018-06-01
Series:E-REA
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Online Access:https://journals.openedition.org/erea/6247
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author Adrian PATERSON
author_facet Adrian PATERSON
author_sort Adrian PATERSON
collection DOAJ
description If Bakhtin’s “dialogic imagination” suggests the novel’s discourse is structured to expect an answer, Yeats’s dialogic imagination is best expressed in non-fictional prose. Acting as preface to A Vision (1937), as published in 1929 by Cuala Press, A Packet for Ezra Pound asserts an often overlooked independent existence. Considering it formally alongside Yeats’s letters as a bookish yet speech-driven manifesto, this paper argues that what appears as a provisional, peripheral, prefatorial work is nonetheless central to understanding Yeats and Pound’s evolving thinking, and critical to an understanding of modernist networks. Its genre-bending, pan-artistic vision, intertextuality, and playing with paratextual apparatus produces a self-conscious construction typical of modernism, even as it claims distance from modernist aesthetics and dissents from its politics.
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spelling doaj-art-f2f769b0cf61449fa28c1ef41d8688d12025-01-09T12:52:47ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182018-06-0115210.4000/erea.6247Men of Letters: W.B. Yeats’s A Packet for Ezra Pound (1929)Adrian PATERSONIf Bakhtin’s “dialogic imagination” suggests the novel’s discourse is structured to expect an answer, Yeats’s dialogic imagination is best expressed in non-fictional prose. Acting as preface to A Vision (1937), as published in 1929 by Cuala Press, A Packet for Ezra Pound asserts an often overlooked independent existence. Considering it formally alongside Yeats’s letters as a bookish yet speech-driven manifesto, this paper argues that what appears as a provisional, peripheral, prefatorial work is nonetheless central to understanding Yeats and Pound’s evolving thinking, and critical to an understanding of modernist networks. Its genre-bending, pan-artistic vision, intertextuality, and playing with paratextual apparatus produces a self-conscious construction typical of modernism, even as it claims distance from modernist aesthetics and dissents from its politics.https://journals.openedition.org/erea/6247modernismlettersYeatsPoundproseargument
spellingShingle Adrian PATERSON
Men of Letters: W.B. Yeats’s A Packet for Ezra Pound (1929)
E-REA
modernism
letters
Yeats
Pound
prose
argument
title Men of Letters: W.B. Yeats’s A Packet for Ezra Pound (1929)
title_full Men of Letters: W.B. Yeats’s A Packet for Ezra Pound (1929)
title_fullStr Men of Letters: W.B. Yeats’s A Packet for Ezra Pound (1929)
title_full_unstemmed Men of Letters: W.B. Yeats’s A Packet for Ezra Pound (1929)
title_short Men of Letters: W.B. Yeats’s A Packet for Ezra Pound (1929)
title_sort men of letters w b yeats s a packet for ezra pound 1929
topic modernism
letters
Yeats
Pound
prose
argument
url https://journals.openedition.org/erea/6247
work_keys_str_mv AT adrianpaterson menofletterswbyeatssapacketforezrapound1929