Al encuentro del destino: En la cuerda floja (1954), de Mireya Guevara, identidad e intelectualidad
From 1936, «the citizen woman» took a place like subjectivity, in the Venezuelan imaginary. However, since 1948, several repressive movements, that tried to reinsert the feminine subject into the domestic space, were born. Since then, the national narrators had to use, among other strategies, their...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Presses universitaires du Midi
2010-12-01
|
| Series: | Caravelle |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caravelle/7392 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|