Al encuentro del destino: En la cuerda floja (1954), de Mireya Guevara, identidad e intelectualidad
From 1936, «the citizen woman» took a place like subjectivity, in the Venezuelan imaginary. However, since 1948, several repressive movements, that tried to reinsert the feminine subject into the domestic space, were born. Since then, the national narrators had to use, among other strategies, their...
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| Format: | Article |
| Language: | Spanish |
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Presses universitaires du Midi
2010-12-01
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| Series: | Caravelle |
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| Online Access: | https://journals.openedition.org/caravelle/7392 |
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| _version_ | 1841551443133202432 |
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| author | Mariana Libertad Suárez |
| author_facet | Mariana Libertad Suárez |
| author_sort | Mariana Libertad Suárez |
| collection | DOAJ |
| description | From 1936, «the citizen woman» took a place like subjectivity, in the Venezuelan imaginary. However, since 1948, several repressive movements, that tried to reinsert the feminine subject into the domestic space, were born. Since then, the national narrators had to use, among other strategies, their writings as motivation platform and registry of their new identity. The novel «En la cuerda floja» (1954), by Mireya Guevara, gives account of it. It is a text that allows to think over around the role of the intellectual woman and of her masculine pair in the Venezuela of the fifties. |
| format | Article |
| id | doaj-art-efcee2ab45f64125ae2826371ce46024 |
| institution | Kabale University |
| issn | 1147-6753 2272-9828 |
| language | Spanish |
| publishDate | 2010-12-01 |
| publisher | Presses universitaires du Midi |
| record_format | Article |
| series | Caravelle |
| spelling | doaj-art-efcee2ab45f64125ae2826371ce460242025-01-09T16:13:57ZspaPresses universitaires du MidiCaravelle1147-67532272-98282010-12-019516117610.4000/caravelle.7392Al encuentro del destino: En la cuerda floja (1954), de Mireya Guevara, identidad e intelectualidadMariana Libertad SuárezFrom 1936, «the citizen woman» took a place like subjectivity, in the Venezuelan imaginary. However, since 1948, several repressive movements, that tried to reinsert the feminine subject into the domestic space, were born. Since then, the national narrators had to use, among other strategies, their writings as motivation platform and registry of their new identity. The novel «En la cuerda floja» (1954), by Mireya Guevara, gives account of it. It is a text that allows to think over around the role of the intellectual woman and of her masculine pair in the Venezuela of the fifties.https://journals.openedition.org/caravelle/7392Mujer intelectualPerezjimenismoCiudadanía femeninaMireya Guevara |
| spellingShingle | Mariana Libertad Suárez Al encuentro del destino: En la cuerda floja (1954), de Mireya Guevara, identidad e intelectualidad Caravelle Mujer intelectual Perezjimenismo Ciudadanía femenina Mireya Guevara |
| title | Al encuentro del destino: En la cuerda floja (1954), de Mireya Guevara, identidad e intelectualidad |
| title_full | Al encuentro del destino: En la cuerda floja (1954), de Mireya Guevara, identidad e intelectualidad |
| title_fullStr | Al encuentro del destino: En la cuerda floja (1954), de Mireya Guevara, identidad e intelectualidad |
| title_full_unstemmed | Al encuentro del destino: En la cuerda floja (1954), de Mireya Guevara, identidad e intelectualidad |
| title_short | Al encuentro del destino: En la cuerda floja (1954), de Mireya Guevara, identidad e intelectualidad |
| title_sort | al encuentro del destino en la cuerda floja 1954 de mireya guevara identidad e intelectualidad |
| topic | Mujer intelectual Perezjimenismo Ciudadanía femenina Mireya Guevara |
| url | https://journals.openedition.org/caravelle/7392 |
| work_keys_str_mv | AT marianalibertadsuarez alencuentrodeldestinoenlacuerdafloja1954demireyaguevaraidentidadeintelectualidad |