Derrière l’écran, les négociations collectives dans le cinéma (1975-2020)
The professional branch has been the predominant normative space in the film and audiovisual industries since the 1990s. This observation contrasts with the recent reforms of labour law, which make the company the central body for the formulation of law, in order to adapt it continuously to the fluc...
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| Format: | Article |
| Language: | fra |
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La Nouvelle Revue du Travail
2022-11-01
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| Series: | La Nouvelle Revue du Travail |
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| Online Access: | https://journals.openedition.org/nrt/12813 |
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| _version_ | 1849328162793586688 |
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| author | Samuel Zarka |
| author_facet | Samuel Zarka |
| author_sort | Samuel Zarka |
| collection | DOAJ |
| description | The professional branch has been the predominant normative space in the film and audiovisual industries since the 1990s. This observation contrasts with the recent reforms of labour law, which make the company the central body for the formulation of law, in order to adapt it continuously to the fluctuating demand. This paradox leads us to question the function of legal benchmarks set at the branch level in a project-based industry. To this end, we look back at the way in which actors in industrial relations have invested this level of collective bargaining in recent decades, the framing of the activity that has resulted from it and the reasons for its stability in the course of contemporary productive recompositions. |
| format | Article |
| id | doaj-art-ef7bcc2565c441dd9c9589f09a228c20 |
| institution | Kabale University |
| issn | 2263-8989 |
| language | fra |
| publishDate | 2022-11-01 |
| publisher | La Nouvelle Revue du Travail |
| record_format | Article |
| series | La Nouvelle Revue du Travail |
| spelling | doaj-art-ef7bcc2565c441dd9c9589f09a228c202025-08-20T03:47:40ZfraLa Nouvelle Revue du TravailLa Nouvelle Revue du Travail2263-89892022-11-012110.4000/nrt.12813Derrière l’écran, les négociations collectives dans le cinéma (1975-2020)Samuel ZarkaThe professional branch has been the predominant normative space in the film and audiovisual industries since the 1990s. This observation contrasts with the recent reforms of labour law, which make the company the central body for the formulation of law, in order to adapt it continuously to the fluctuating demand. This paradox leads us to question the function of legal benchmarks set at the branch level in a project-based industry. To this end, we look back at the way in which actors in industrial relations have invested this level of collective bargaining in recent decades, the framing of the activity that has resulted from it and the reasons for its stability in the course of contemporary productive recompositions.https://journals.openedition.org/nrt/12813projectindustrial relationscinemabroadcastingcollective agreement |
| spellingShingle | Samuel Zarka Derrière l’écran, les négociations collectives dans le cinéma (1975-2020) La Nouvelle Revue du Travail project industrial relations cinema broadcasting collective agreement |
| title | Derrière l’écran, les négociations collectives dans le cinéma (1975-2020) |
| title_full | Derrière l’écran, les négociations collectives dans le cinéma (1975-2020) |
| title_fullStr | Derrière l’écran, les négociations collectives dans le cinéma (1975-2020) |
| title_full_unstemmed | Derrière l’écran, les négociations collectives dans le cinéma (1975-2020) |
| title_short | Derrière l’écran, les négociations collectives dans le cinéma (1975-2020) |
| title_sort | derriere l ecran les negociations collectives dans le cinema 1975 2020 |
| topic | project industrial relations cinema broadcasting collective agreement |
| url | https://journals.openedition.org/nrt/12813 |
| work_keys_str_mv | AT samuelzarka derrierelecranlesnegociationscollectivesdanslecinema19752020 |