Forgery of Icons
This article is based on the thesis „Icon Forgery. A historical, ethical and technological reflection” by the author, which explains, when is an Icon genuine or a forgery. In doing so, the terms Icon and Icon-copy will be defined by taking the aspects of the religious significance as well as the his...
        Saved in:
      
    
          | Main Author: | |
|---|---|
| Format: | Article | 
| Language: | English | 
| Published: | 
            Association CeROArt
    
        2009-04-01
     | 
| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art | 
| Subjects: | |
| Online Access: | https://journals.openedition.org/ceroart/1110 | 
| Tags: | 
       Add Tag    
     
      No Tags, Be the first to tag this record!
   
 | 
| _version_ | 1832578141139238912 | 
    
|---|---|
| author | Julia Spies | 
    
| author_facet | Julia Spies | 
    
| author_sort | Julia Spies | 
    
| collection | DOAJ | 
    
| description | This article is based on the thesis „Icon Forgery. A historical, ethical and technological reflection” by the author, which explains, when is an Icon genuine or a forgery. In doing so, the terms Icon and Icon-copy will be defined by taking the aspects of the religious significance as well as the historical development into consideration. Within the given frame only a few phenomena will be described. Detailed explanations can be found in the complete thesis. | 
    
| format | Article | 
    
| id | doaj-art-ef60f9c5adb84b1f932cc35f20b72810 | 
    
| institution | Kabale University | 
    
| issn | 1784-5092 | 
    
| language | English | 
    
| publishDate | 2009-04-01 | 
    
| publisher | Association CeROArt | 
    
| record_format | Article | 
    
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art | 
    
| spelling | doaj-art-ef60f9c5adb84b1f932cc35f20b728102025-01-30T14:13:32ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922009-04-01310.4000/ceroart.1110Forgery of IconsJulia SpiesThis article is based on the thesis „Icon Forgery. A historical, ethical and technological reflection” by the author, which explains, when is an Icon genuine or a forgery. In doing so, the terms Icon and Icon-copy will be defined by taking the aspects of the religious significance as well as the historical development into consideration. Within the given frame only a few phenomena will be described. Detailed explanations can be found in the complete thesis.https://journals.openedition.org/ceroart/1110IconIcon-copyfalsificationforgery | 
    
| spellingShingle | Julia Spies Forgery of Icons CeROArt : Conservation, Exposition, Restauration d'Objets d'Art Icon Icon-copy falsification forgery  | 
    
| title | Forgery of Icons | 
    
| title_full | Forgery of Icons | 
    
| title_fullStr | Forgery of Icons | 
    
| title_full_unstemmed | Forgery of Icons | 
    
| title_short | Forgery of Icons | 
    
| title_sort | forgery of icons | 
    
| topic | Icon Icon-copy falsification forgery  | 
    
| url | https://journals.openedition.org/ceroart/1110 | 
    
| work_keys_str_mv | AT juliaspies forgeryoficons |