The Influence of Brechtian Epic Theatre on Alienation in Saadalla Wannous as Exemplified in his Play The King is the King

This paper deals with the influence of Brecht's epic theatre on Saadalla Wannous as a committed writer, who tried to contribute to raising his audience's awareness using alienation techniques and employing Arab cultural heritage to serve the society and its causes. Following the defeat in...

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Main Author: Saleh Maroushiah Muhammad
Format: Article
Language:Arabic
Published: Semnan University 2014-09-01
Series:دراسات فی اللغه العربیه و آدابها
Subjects:
Online Access:https://lasem.semnan.ac.ir/article_1452_dc2a2af3a2a1532b8c4f65b55c92b133.pdf
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author Saleh Maroushiah Muhammad
author_facet Saleh Maroushiah Muhammad
author_sort Saleh Maroushiah Muhammad
collection DOAJ
description This paper deals with the influence of Brecht's epic theatre on Saadalla Wannous as a committed writer, who tried to contribute to raising his audience's awareness using alienation techniques and employing Arab cultural heritage to serve the society and its causes. Following the defeat in June 1967 and as a result of Wannous being influenced by Brechtian theatre, a new phase emerged in his drama, which aimed at confronting the crises sweeping across the Arab World when nations became disappointed about their nationalistic dreams. However, Wannous did not copy Brecht's alienation technique literally; rather, he adapted it within a dialectical relationship to serve his society. He also employed it to provoke the audience into thinking of creating a new Arab World.
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series دراسات فی اللغه العربیه و آدابها
spelling doaj-art-eeff1a5ad1fa42c8935c5f4bba78f0982024-12-21T05:17:53ZaraSemnan Universityدراسات فی اللغه العربیه و آدابها2008-90232538-32802014-09-0151811913810.22075/lasem.2017.14521452The Influence of Brechtian Epic Theatre on Alienation in Saadalla Wannous as Exemplified in his Play The King is the KingSaleh Maroushiah Muhammad0جامعة تشرینThis paper deals with the influence of Brecht's epic theatre on Saadalla Wannous as a committed writer, who tried to contribute to raising his audience's awareness using alienation techniques and employing Arab cultural heritage to serve the society and its causes. Following the defeat in June 1967 and as a result of Wannous being influenced by Brechtian theatre, a new phase emerged in his drama, which aimed at confronting the crises sweeping across the Arab World when nations became disappointed about their nationalistic dreams. However, Wannous did not copy Brecht's alienation technique literally; rather, he adapted it within a dialectical relationship to serve his society. He also employed it to provoke the audience into thinking of creating a new Arab World.https://lasem.semnan.ac.ir/article_1452_dc2a2af3a2a1532b8c4f65b55c92b133.pdfalienationepic theatreheritage
spellingShingle Saleh Maroushiah Muhammad
The Influence of Brechtian Epic Theatre on Alienation in Saadalla Wannous as Exemplified in his Play The King is the King
دراسات فی اللغه العربیه و آدابها
alienation
epic theatre
heritage
title The Influence of Brechtian Epic Theatre on Alienation in Saadalla Wannous as Exemplified in his Play The King is the King
title_full The Influence of Brechtian Epic Theatre on Alienation in Saadalla Wannous as Exemplified in his Play The King is the King
title_fullStr The Influence of Brechtian Epic Theatre on Alienation in Saadalla Wannous as Exemplified in his Play The King is the King
title_full_unstemmed The Influence of Brechtian Epic Theatre on Alienation in Saadalla Wannous as Exemplified in his Play The King is the King
title_short The Influence of Brechtian Epic Theatre on Alienation in Saadalla Wannous as Exemplified in his Play The King is the King
title_sort influence of brechtian epic theatre on alienation in saadalla wannous as exemplified in his play the king is the king
topic alienation
epic theatre
heritage
url https://lasem.semnan.ac.ir/article_1452_dc2a2af3a2a1532b8c4f65b55c92b133.pdf
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