Observation as a Tool for Historian: A Critical Analysis of James Elkins’ Theories in the book How to Use Your Eyes
This research is a critique of “How to use your eyes” by James Elkins. He is an important theorist of art historiography with a critical view of traditional theories about art history. The book's subject is "observation". Elkins carefully observes a wide range of visual phenomena in t...
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Institute for Humanities and Cultural Studies (IHCS)
2021-10-01
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| Series: | پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی |
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| Online Access: | https://criticalstudy.ihcs.ac.ir/article_7019_ad65aa7392049f94409669bd02eea883.pdf |
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| author | Jamal Arabzadeh |
| author_facet | Jamal Arabzadeh |
| author_sort | Jamal Arabzadeh |
| collection | DOAJ |
| description | This research is a critique of “How to use your eyes” by James Elkins. He is an important theorist of art historiography with a critical view of traditional theories about art history. The book's subject is "observation". Elkins carefully observes a wide range of visual phenomena in two main categories: man-made and natural, which have different dimensions: historical, artistic, technological, linguistic, cultural, social or completely natural. He intends to teach correctly seeing. Here, the main question is about pattern forms the book basis and tries to extract his mental pattern by analyzing various book elements. The initial assumption is that the author specializes in visual studies of art history, has indirectly proposed the qualities ideas and how art historian activity dealing with various phenomena in art and culture. Therefore, his writings and basic theories have been explored. The research shows that many cases related to observation can be adapted to activities and different approaches in the historical art research and some of the main views of the author can be identified beyond them. For Elkins, correct observation free from the defined formats is the key to und erstand art history. In his opinion, history cannot be perceived only by studying art works. Observations of other visual phenomena in today's culture can deepen its understanding. Different expertise and knowledge are required. |
| format | Article |
| id | doaj-art-eef50f8a9d3046e6906f8f96756555bf |
| institution | Kabale University |
| issn | 2383-1650 |
| language | fas |
| publishDate | 2021-10-01 |
| publisher | Institute for Humanities and Cultural Studies (IHCS) |
| record_format | Article |
| series | پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی |
| spelling | doaj-art-eef50f8a9d3046e6906f8f96756555bf2025-01-08T05:42:01ZfasInstitute for Humanities and Cultural Studies (IHCS)پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی2383-16502021-10-0121824926810.30465/crtls.2021.36733.22667019Observation as a Tool for Historian: A Critical Analysis of James Elkins’ Theories in the book How to Use Your EyesJamal Arabzadeh0Assistant Professor and Faculty Member of Painting Group, Visual Arts College, Art University of Tehran, Tehran, IranThis research is a critique of “How to use your eyes” by James Elkins. He is an important theorist of art historiography with a critical view of traditional theories about art history. The book's subject is "observation". Elkins carefully observes a wide range of visual phenomena in two main categories: man-made and natural, which have different dimensions: historical, artistic, technological, linguistic, cultural, social or completely natural. He intends to teach correctly seeing. Here, the main question is about pattern forms the book basis and tries to extract his mental pattern by analyzing various book elements. The initial assumption is that the author specializes in visual studies of art history, has indirectly proposed the qualities ideas and how art historian activity dealing with various phenomena in art and culture. Therefore, his writings and basic theories have been explored. The research shows that many cases related to observation can be adapted to activities and different approaches in the historical art research and some of the main views of the author can be identified beyond them. For Elkins, correct observation free from the defined formats is the key to und erstand art history. In his opinion, history cannot be perceived only by studying art works. Observations of other visual phenomena in today's culture can deepen its understanding. Different expertise and knowledge are required.https://criticalstudy.ihcs.ac.ir/article_7019_ad65aa7392049f94409669bd02eea883.pdfart historyart historiographyjames elkinsvisual studiesthe eyes |
| spellingShingle | Jamal Arabzadeh Observation as a Tool for Historian: A Critical Analysis of James Elkins’ Theories in the book How to Use Your Eyes پژوهشنامۀ انتقادی متون و برنامههای علوم انسانی art history art historiography james elkins visual studies the eyes |
| title | Observation as a Tool for Historian: A Critical Analysis of James Elkins’ Theories in the book How to Use Your Eyes |
| title_full | Observation as a Tool for Historian: A Critical Analysis of James Elkins’ Theories in the book How to Use Your Eyes |
| title_fullStr | Observation as a Tool for Historian: A Critical Analysis of James Elkins’ Theories in the book How to Use Your Eyes |
| title_full_unstemmed | Observation as a Tool for Historian: A Critical Analysis of James Elkins’ Theories in the book How to Use Your Eyes |
| title_short | Observation as a Tool for Historian: A Critical Analysis of James Elkins’ Theories in the book How to Use Your Eyes |
| title_sort | observation as a tool for historian a critical analysis of james elkins theories in the book how to use your eyes |
| topic | art history art historiography james elkins visual studies the eyes |
| url | https://criticalstudy.ihcs.ac.ir/article_7019_ad65aa7392049f94409669bd02eea883.pdf |
| work_keys_str_mv | AT jamalarabzadeh observationasatoolforhistorianacriticalanalysisofjameselkinstheoriesinthebookhowtouseyoureyes |