Le mystère de la chambre noire. Je t’aime je t’aime d’Alain Resnais
Je t’aime je t’aime (1968). This film by Alain Resnais was underestimated for a long time, unjustly, because it is full of inventiveness and modernity, both from the point of view of the construction and of the definition of a "fragmented" temporality, typical of the psychoanalytical cure...
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| Format: | Article |
| Language: | fra |
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MSH Paris Nord
2010-02-01
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| Series: | Appareil |
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| Online Access: | https://journals.openedition.org/appareil/552 |
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| Summary: | Je t’aime je t’aime (1968). This film by Alain Resnais was underestimated for a long time, unjustly, because it is full of inventiveness and modernity, both from the point of view of the construction and of the definition of a "fragmented" temporality, typical of the psychoanalytical cure which includes here experiences of absorbement in darkroom. It also reflects our epoch marked by Lazare and the phenomenon of the disappearance. |
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| ISSN: | 2101-0714 |