Le personnel est encore politique
Corridos, a popular musical genre among Mexican and Mexican-American populations, are part of a realistic aesthetic that for a long time made them vectors of social protest and resistance. In recent years, young artists on both sides of the border have been inflecting this poetic tradition with more...
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Format: | Article |
Language: | Spanish |
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Presses universitaires du Midi
2021-12-01
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Series: | Caravelle |
Subjects: | |
Online Access: | https://journals.openedition.org/caravelle/11534 |
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author | Claude Chastagner |
author_facet | Claude Chastagner |
author_sort | Claude Chastagner |
collection | DOAJ |
description | Corridos, a popular musical genre among Mexican and Mexican-American populations, are part of a realistic aesthetic that for a long time made them vectors of social protest and resistance. In recent years, young artists on both sides of the border have been inflecting this poetic tradition with more intimate songs, approaching topics such as family, love, and even school, in a stimulating language, characterized by cultural code-switching. The songs of the Las Vegas-based group T3R Elemento will allow us to observe whether these new aesthetic approaches still constitute a form of protest and resistance. Is the revolutionary feminist slogan of the sixties, “personal is political”, still relevant today? |
format | Article |
id | doaj-art-ee92e2b6a1e4498ab383e9a1f42524aa |
institution | Kabale University |
issn | 1147-6753 2272-9828 |
language | Spanish |
publishDate | 2021-12-01 |
publisher | Presses universitaires du Midi |
record_format | Article |
series | Caravelle |
spelling | doaj-art-ee92e2b6a1e4498ab383e9a1f42524aa2025-01-09T16:14:12ZspaPresses universitaires du MidiCaravelle1147-67532272-98282021-12-0111710912410.4000/caravelle.11534Le personnel est encore politiqueClaude ChastagnerCorridos, a popular musical genre among Mexican and Mexican-American populations, are part of a realistic aesthetic that for a long time made them vectors of social protest and resistance. In recent years, young artists on both sides of the border have been inflecting this poetic tradition with more intimate songs, approaching topics such as family, love, and even school, in a stimulating language, characterized by cultural code-switching. The songs of the Las Vegas-based group T3R Elemento will allow us to observe whether these new aesthetic approaches still constitute a form of protest and resistance. Is the revolutionary feminist slogan of the sixties, “personal is political”, still relevant today?https://journals.openedition.org/caravelle/11534ResistanceNarcocorridosCorridos verdesT3R ElementoProtest |
spellingShingle | Claude Chastagner Le personnel est encore politique Caravelle Resistance Narcocorridos Corridos verdes T3R Elemento Protest |
title | Le personnel est encore politique |
title_full | Le personnel est encore politique |
title_fullStr | Le personnel est encore politique |
title_full_unstemmed | Le personnel est encore politique |
title_short | Le personnel est encore politique |
title_sort | le personnel est encore politique |
topic | Resistance Narcocorridos Corridos verdes T3R Elemento Protest |
url | https://journals.openedition.org/caravelle/11534 |
work_keys_str_mv | AT claudechastagner lepersonnelestencorepolitique |