Mihai Sin – suprafețele prozei

The author clings from the very beginning to the substance of the harmlesss immediacy. Inside the benign, daytime writing, expressed through small, seemingly insignificant gesture, it is revealed, exasperatingly and unsettling slowly, the hideous figure of the absolute evil, it is revealed the borde...

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Main Author: Nicoleta Sălcudeanu
Format: Article
Language:deu
Published: Editura Academiei Române 2015-12-01
Series:Revista de Istorie și Teorie Literară
Subjects:
Online Access:https://ritl.ro/pdf/2015/17_N_Salcudeanu.pdf
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author Nicoleta Sălcudeanu
author_facet Nicoleta Sălcudeanu
author_sort Nicoleta Sălcudeanu
collection DOAJ
description The author clings from the very beginning to the substance of the harmlesss immediacy. Inside the benign, daytime writing, expressed through small, seemingly insignificant gesture, it is revealed, exasperatingly and unsettling slowly, the hideous figure of the absolute evil, it is revealed the bordering hell, the hell itself, on the line where the fragile human faces its intrinsically evil, but also its infernal otherness. Without any irony, but with the addition of substantial steel lucidity, the writing of Mihai Sin is a frowning aspect of French moralism, a mix of prose, essays and pamphlets, and vision is that of an angry Candide, a Candide obviously more skeptical than Voltaire himself. The great stake is actually the moral manifesto, ultimate and realistic at the same time. It’s about death, about all its forms, from the individual to that of an entire world.
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publisher Editura Academiei Române
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series Revista de Istorie și Teorie Literară
spelling doaj-art-ee2bc0c71b3a4533954f155cf4961fd42025-01-03T20:04:32ZdeuEditura Academiei RomâneRevista de Istorie și Teorie Literară0034-83923061-42012015-12-0191-4317328Mihai Sin – suprafețele prozeiNicoleta Sălcudeanu0Institutul de Cercetări Socio-Umane „Gheorghe Şincai” al Academiei Române, Târgu MureșThe author clings from the very beginning to the substance of the harmlesss immediacy. Inside the benign, daytime writing, expressed through small, seemingly insignificant gesture, it is revealed, exasperatingly and unsettling slowly, the hideous figure of the absolute evil, it is revealed the bordering hell, the hell itself, on the line where the fragile human faces its intrinsically evil, but also its infernal otherness. Without any irony, but with the addition of substantial steel lucidity, the writing of Mihai Sin is a frowning aspect of French moralism, a mix of prose, essays and pamphlets, and vision is that of an angry Candide, a Candide obviously more skeptical than Voltaire himself. The great stake is actually the moral manifesto, ultimate and realistic at the same time. It’s about death, about all its forms, from the individual to that of an entire world.https://ritl.ro/pdf/2015/17_N_Salcudeanu.pdfmihai sinprosenovelessaytotalitarism
spellingShingle Nicoleta Sălcudeanu
Mihai Sin – suprafețele prozei
Revista de Istorie și Teorie Literară
mihai sin
prose
novel
essay
totalitarism
title Mihai Sin – suprafețele prozei
title_full Mihai Sin – suprafețele prozei
title_fullStr Mihai Sin – suprafețele prozei
title_full_unstemmed Mihai Sin – suprafețele prozei
title_short Mihai Sin – suprafețele prozei
title_sort mihai sin suprafetele prozei
topic mihai sin
prose
novel
essay
totalitarism
url https://ritl.ro/pdf/2015/17_N_Salcudeanu.pdf
work_keys_str_mv AT nicoletasalcudeanu mihaisinsuprafeteleprozei