Etymologico-etiological assumptions of the galant style

This paper aims to highlight certain issues that arise when discussing the origins and developmental stages of the galant style, as well as the significance and status this style holds within the history of music. This will be achieved by consulting selected and predominantly Anglophone musico-theor...

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Main Author: Mijatović Tanja Z.
Format: Article
Language:English
Published: Akademija umetnosti Univerziteta u Novom Sadu 2024-01-01
Series:Zbornik Radova Akademije Umetnosti
Subjects:
Online Access:https://scindeks-clanci.ceon.rs/data/pdf/2334-8666/2024/2334-86662412102M.pdf
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author Mijatović Tanja Z.
author_facet Mijatović Tanja Z.
author_sort Mijatović Tanja Z.
collection DOAJ
description This paper aims to highlight certain issues that arise when discussing the origins and developmental stages of the galant style, as well as the significance and status this style holds within the history of music. This will be achieved by consulting selected and predominantly Anglophone musico-theoretical and musicological literature. Special attention in this paper will be given to the writings of Charles Rosen, Leonard G. Ratner, William Newman, and David Sheldon. In addition to presenting and confronting the opinions of various authors and questioning the validity of their arguments regarding the position of the galant style in the periodization of music history, the paper will provide a special review of the problem of understanding the stylistic matrix of the galant style and its aesthetic paradigm from two perspectives: 1) based on the analysis of the semantic nuances of the term galant and 2) by indicating the (possible) origin of the galant style.
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institution Kabale University
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language English
publishDate 2024-01-01
publisher Akademija umetnosti Univerziteta u Novom Sadu
record_format Article
series Zbornik Radova Akademije Umetnosti
spelling doaj-art-ece11d43d76f42d0a3a9def196f8ae192024-12-02T13:04:03ZengAkademija umetnosti Univerziteta u Novom SaduZbornik Radova Akademije Umetnosti2334-86662560-31082024-01-0120241210211810.5937/ZbAkU2412102Z2334-86662412102MEtymologico-etiological assumptions of the galant styleMijatović Tanja Z.0https://orcid.org/0009-0001-1956-9876Univerzitet umetnosti u Beogradu, Fakultet muzičke umetnosti, Beograd, SerbiaThis paper aims to highlight certain issues that arise when discussing the origins and developmental stages of the galant style, as well as the significance and status this style holds within the history of music. This will be achieved by consulting selected and predominantly Anglophone musico-theoretical and musicological literature. Special attention in this paper will be given to the writings of Charles Rosen, Leonard G. Ratner, William Newman, and David Sheldon. In addition to presenting and confronting the opinions of various authors and questioning the validity of their arguments regarding the position of the galant style in the periodization of music history, the paper will provide a special review of the problem of understanding the stylistic matrix of the galant style and its aesthetic paradigm from two perspectives: 1) based on the analysis of the semantic nuances of the term galant and 2) by indicating the (possible) origin of the galant style.https://scindeks-clanci.ceon.rs/data/pdf/2334-8666/2024/2334-86662412102M.pdfgalant stylebaroqueclassicismrococo
spellingShingle Mijatović Tanja Z.
Etymologico-etiological assumptions of the galant style
Zbornik Radova Akademije Umetnosti
galant style
baroque
classicism
rococo
title Etymologico-etiological assumptions of the galant style
title_full Etymologico-etiological assumptions of the galant style
title_fullStr Etymologico-etiological assumptions of the galant style
title_full_unstemmed Etymologico-etiological assumptions of the galant style
title_short Etymologico-etiological assumptions of the galant style
title_sort etymologico etiological assumptions of the galant style
topic galant style
baroque
classicism
rococo
url https://scindeks-clanci.ceon.rs/data/pdf/2334-8666/2024/2334-86662412102M.pdf
work_keys_str_mv AT mijatovictanjaz etymologicoetiologicalassumptionsofthegalantstyle