Chanson Cachée: The Music-comic albums of Geneviève Castrée
This paper looks at two works by Quebec artist Geneviève Castrée, each of which combines a comics album with a record of songs: Pamplemoussi (2004) and Tout seul dans la forêt en plein jour, avez-vous peur ? (2007). He begins by defining the genre of these works, between artist’s “recordworks” and “...
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| Format: | Article |
| Language: | English |
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Université Paris XIII
2024-11-01
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| Series: | Comicalités |
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| Online Access: | https://journals.openedition.org/comicalites/9957 |
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| _version_ | 1841551523754016768 |
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| author | Damon Herd |
| author_facet | Damon Herd |
| author_sort | Damon Herd |
| collection | DOAJ |
| description | This paper looks at two works by Quebec artist Geneviève Castrée, each of which combines a comics album with a record of songs: Pamplemoussi (2004) and Tout seul dans la forêt en plein jour, avez-vous peur ? (2007). He begins by defining the genre of these works, between artist’s “recordworks” and “musicomic” albums, recalling previous examples combining records and comics. He then analyses Castrée’s two book-and-record sets, comparing the soundtrack to the drawn narrative: their respective autonomy as artistic works, their temporality in terms of reception, and the diegetic status of music in each of the graphic narratives. |
| format | Article |
| id | doaj-art-ea606fe47a4d431796d820bdec565189 |
| institution | Kabale University |
| issn | 2117-4911 |
| language | English |
| publishDate | 2024-11-01 |
| publisher | Université Paris XIII |
| record_format | Article |
| series | Comicalités |
| spelling | doaj-art-ea606fe47a4d431796d820bdec5651892025-01-09T16:07:21ZengUniversité Paris XIIIComicalités2117-49112024-11-0110.4000/12w73Chanson Cachée: The Music-comic albums of Geneviève CastréeDamon HerdThis paper looks at two works by Quebec artist Geneviève Castrée, each of which combines a comics album with a record of songs: Pamplemoussi (2004) and Tout seul dans la forêt en plein jour, avez-vous peur ? (2007). He begins by defining the genre of these works, between artist’s “recordworks” and “musicomic” albums, recalling previous examples combining records and comics. He then analyses Castrée’s two book-and-record sets, comparing the soundtrack to the drawn narrative: their respective autonomy as artistic works, their temporality in terms of reception, and the diegetic status of music in each of the graphic narratives.https://journals.openedition.org/comicalites/9957songcomicsrecordmusicGeneviève Castréebande-son |
| spellingShingle | Damon Herd Chanson Cachée: The Music-comic albums of Geneviève Castrée Comicalités song comics record music Geneviève Castrée bande-son |
| title | Chanson Cachée: The Music-comic albums of Geneviève Castrée |
| title_full | Chanson Cachée: The Music-comic albums of Geneviève Castrée |
| title_fullStr | Chanson Cachée: The Music-comic albums of Geneviève Castrée |
| title_full_unstemmed | Chanson Cachée: The Music-comic albums of Geneviève Castrée |
| title_short | Chanson Cachée: The Music-comic albums of Geneviève Castrée |
| title_sort | chanson cachee the music comic albums of genevieve castree |
| topic | song comics record music Geneviève Castrée bande-son |
| url | https://journals.openedition.org/comicalites/9957 |
| work_keys_str_mv | AT damonherd chansoncacheethemusiccomicalbumsofgenevievecastree |