Die deutschsprachige Lyrik der Frühen Moderne (1890-1930)

The article explains first what we understand by the literary period of classical modernism, constructed by literary criticism, its periodization and its fundamental features and structures on the level of representation and on that of the represented world. By doing that I will point out formal inn...

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Main Author: Klaus Wieland
Format: Article
Language:deu
Published: Presses universitaires de Strasbourg 2019-07-01
Series:Recherches Germaniques
Subjects:
Online Access:https://journals.openedition.org/rg/976
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author Klaus Wieland
author_facet Klaus Wieland
author_sort Klaus Wieland
collection DOAJ
description The article explains first what we understand by the literary period of classical modernism, constructed by literary criticism, its periodization and its fundamental features and structures on the level of representation and on that of the represented world. By doing that I will point out formal innovations, in other words new literary techniques of representation, as well as new central topics like the city, the social question, the First World War, the crisis of the subject, sexuality and gender relations. I assume that the so-called “Lebensbegriff” is the specific feature of that period, which develops considerably in the course of time. In a second part I will sketch out the four consecutive subsystems of the literary system ‘classical modernism’ – Naturalism, literature around 1900, Expressionism and New Objectivity –, taking into consideration in each case its literary program and lyrical production.
format Article
id doaj-art-ea3d2ec1a2de4eee95970244b47ad00e
institution Kabale University
issn 0399-1989
2649-860X
language deu
publishDate 2019-07-01
publisher Presses universitaires de Strasbourg
record_format Article
series Recherches Germaniques
spelling doaj-art-ea3d2ec1a2de4eee95970244b47ad00e2025-01-10T14:28:14ZdeuPresses universitaires de StrasbourgRecherches Germaniques0399-19892649-860X2019-07-011452710.4000/rg.976Die deutschsprachige Lyrik der Frühen Moderne (1890-1930)Klaus WielandThe article explains first what we understand by the literary period of classical modernism, constructed by literary criticism, its periodization and its fundamental features and structures on the level of representation and on that of the represented world. By doing that I will point out formal innovations, in other words new literary techniques of representation, as well as new central topics like the city, the social question, the First World War, the crisis of the subject, sexuality and gender relations. I assume that the so-called “Lebensbegriff” is the specific feature of that period, which develops considerably in the course of time. In a second part I will sketch out the four consecutive subsystems of the literary system ‘classical modernism’ – Naturalism, literature around 1900, Expressionism and New Objectivity –, taking into consideration in each case its literary program and lyrical production.https://journals.openedition.org/rg/976expressionismclassical modernismliterature around 1900naturalismnew objectivity
spellingShingle Klaus Wieland
Die deutschsprachige Lyrik der Frühen Moderne (1890-1930)
Recherches Germaniques
expressionism
classical modernism
literature around 1900
naturalism
new objectivity
title Die deutschsprachige Lyrik der Frühen Moderne (1890-1930)
title_full Die deutschsprachige Lyrik der Frühen Moderne (1890-1930)
title_fullStr Die deutschsprachige Lyrik der Frühen Moderne (1890-1930)
title_full_unstemmed Die deutschsprachige Lyrik der Frühen Moderne (1890-1930)
title_short Die deutschsprachige Lyrik der Frühen Moderne (1890-1930)
title_sort die deutschsprachige lyrik der fruhen moderne 1890 1930
topic expressionism
classical modernism
literature around 1900
naturalism
new objectivity
url https://journals.openedition.org/rg/976
work_keys_str_mv AT klauswieland diedeutschsprachigelyrikderfruhenmoderne18901930