Politique des récits médiatiques et esthétique de l’émancipation

An initial typological ambition is to position different digital narratives as media narratives, and to question the skills of their reader-scribers. Our approach is part of a plural epistemological and methodological framework, which, with a political and aesthetic aim, puts narratology and discour...

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Bibliographic Details
Main Author: Céline Masoni
Format: Article
Language:fra
Published: Laboratoire Interdisciplinaire Récits Cultures Et Sociétés 2024-07-01
Series:Cahiers de Narratologie
Subjects:
Online Access:https://journals.openedition.org/narratologie/15038
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Summary:An initial typological ambition is to position different digital narratives as media narratives, and to question the skills of their reader-scribers. Our approach is part of a plural epistemological and methodological framework, which, with a political and aesthetic aim, puts narratology and discourse analysis in tension, with a view to analysing the critical reflexivity of the reader-writers of media narratives. Our visit to the theories of reception shifts the focus from the consideration of active or passive individualities to the de-subjectivised question of enunciation, taking up the practices of reading-writing, which are played out at the interface of the political and the aesthetic. This confrontation opens up a space where the dominant discourse on art, which supports an aesthetic ideology, gives way to an aesthetics of emancipation.
ISSN:0993-8516
1765-307X