Regards sur un paysage anglais : « Seascape » de W.H. Auden à Benjamin Britten
This article aims to bring to light the close links that bind together W.H. Auden’s poem “Seascape” and other artistic languages such as painting and music since the poem was actually set to music by Benjamin Britten. In keeping with this inter-semiotic approach, the main structural and rhetorical e...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
2006-12-01
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| Series: | Revue LISA |
| Online Access: | https://journals.openedition.org/lisa/1969 |
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| _version_ | 1841558471223279616 |
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| author | Nathalie Vincent-Arnaud |
| author_facet | Nathalie Vincent-Arnaud |
| author_sort | Nathalie Vincent-Arnaud |
| collection | DOAJ |
| description | This article aims to bring to light the close links that bind together W.H. Auden’s poem “Seascape” and other artistic languages such as painting and music since the poem was actually set to music by Benjamin Britten. In keeping with this inter-semiotic approach, the main structural and rhetorical elements of the poem will be discussed, and more particularly the stylistic devices that the musical work itself seems to echo through a combination of rhythmical, melodic and harmonic patterns which all serve to enhance the suggestive power of the text. We will try to define more precisely the intricate artistic heritage of the poem through which the reader both hears and sees the whole scene conjured up. |
| format | Article |
| id | doaj-art-e89d1ad479f64fabb47d25a1768b55f1 |
| institution | Kabale University |
| issn | 1762-6153 |
| language | English |
| publishDate | 2006-12-01 |
| publisher | Presses universitaires de Rennes |
| record_format | Article |
| series | Revue LISA |
| spelling | doaj-art-e89d1ad479f64fabb47d25a1768b55f12025-01-06T09:02:39ZengPresses universitaires de RennesRevue LISA1762-61532006-12-01415816910.4000/lisa.1969Regards sur un paysage anglais : « Seascape » de W.H. Auden à Benjamin BrittenNathalie Vincent-ArnaudThis article aims to bring to light the close links that bind together W.H. Auden’s poem “Seascape” and other artistic languages such as painting and music since the poem was actually set to music by Benjamin Britten. In keeping with this inter-semiotic approach, the main structural and rhetorical elements of the poem will be discussed, and more particularly the stylistic devices that the musical work itself seems to echo through a combination of rhythmical, melodic and harmonic patterns which all serve to enhance the suggestive power of the text. We will try to define more precisely the intricate artistic heritage of the poem through which the reader both hears and sees the whole scene conjured up.https://journals.openedition.org/lisa/1969 |
| spellingShingle | Nathalie Vincent-Arnaud Regards sur un paysage anglais : « Seascape » de W.H. Auden à Benjamin Britten Revue LISA |
| title | Regards sur un paysage anglais : « Seascape » de W.H. Auden à Benjamin Britten |
| title_full | Regards sur un paysage anglais : « Seascape » de W.H. Auden à Benjamin Britten |
| title_fullStr | Regards sur un paysage anglais : « Seascape » de W.H. Auden à Benjamin Britten |
| title_full_unstemmed | Regards sur un paysage anglais : « Seascape » de W.H. Auden à Benjamin Britten |
| title_short | Regards sur un paysage anglais : « Seascape » de W.H. Auden à Benjamin Britten |
| title_sort | regards sur un paysage anglais seascape de w h auden a benjamin britten |
| url | https://journals.openedition.org/lisa/1969 |
| work_keys_str_mv | AT nathalievincentarnaud regardssurunpaysageanglaisseascapedewhaudenabenjaminbritten |