Du Bestiaire dans le théâtre de W.B. Yeats
Yeats’s drama is thoroughly filled with animals. Birds of all kinds, cats, donkeys, pigs and of course horses : a whole bestiary runs across all the plots and talk in his plays. In the beginning, the project of the Miracle Plays cycle determines this concrete and spiritual landscape, where diabolica...
Saved in:
Main Author: | Pierre Longuenesse |
---|---|
Format: | Article |
Language: | English |
Published: |
Centre de Recherche "Texte et Critique de Texte"
2016-07-01
|
Series: | Sillages Critiques |
Subjects: | |
Online Access: | https://journals.openedition.org/sillagescritiques/4524 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Yeats et le mélange des genres : du texte à la scène
by: Pierre Longuenesse
Published: (2015-05-01) -
‘Of war and war’s alarms’: W.B. Yeats from On the Boiler (1939)
by: Adrian PATERSON
Published: (2020-06-01) -
Men of Letters: W.B. Yeats’s A Packet for Ezra Pound (1929)
by: Adrian PATERSON
Published: (2018-06-01) -
Aux seuils du monde animal : le bestiaire médiéval du péritexte au métatexte
by: Yoan Boudes
Published: (2021-06-01) -
Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os
by: Pierre Longuenesse
Published: (2016-06-01)