Poésie et musique dans l’Harmonie Universelle de Marin Mersenne : une poétique de l’unité

Marin Mersenne’s masterpiece, L’Harmonie Universelle (1636), is a late but essential treatise to study the notion of Ut musica poesis in the French Renaissance. Indeed, Mersenne pinpoints the central Renaissance interweaving of music, poetry and philosophy — as all aim at a better understanding of t...

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Main Author: Claire Bardelmann
Format: Article
Language:English
Published: Institut du Monde Anglophone 2010-10-01
Series:Etudes Epistémè
Online Access:https://journals.openedition.org/episteme/647
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author Claire Bardelmann
author_facet Claire Bardelmann
author_sort Claire Bardelmann
collection DOAJ
description Marin Mersenne’s masterpiece, L’Harmonie Universelle (1636), is a late but essential treatise to study the notion of Ut musica poesis in the French Renaissance. Indeed, Mersenne pinpoints the central Renaissance interweaving of music, poetry and philosophy — as all aim at a better understanding of the universe and at leading the soul towards the Platonic perfection of the One. This article proposes to investigate two major aspects of the relationship between music and poetry in the Harmonie Universelle. First, Mersenne presents measured music and measured verse, as inspired by Antoine de Baïf and his Académie, as of paramount importance for the bringing together of music and poetry. Secondly, he describes the close correspondences between rhythmic and metrical patterns in poetry, dance and music as forming a universal language.
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series Etudes Epistémè
spelling doaj-art-e84ec07de0da4a09b57ae4c0f6e064ba2025-08-20T03:47:25ZengInstitut du Monde AnglophoneEtudes Epistémè1634-04502010-10-011810.4000/episteme.647Poésie et musique dans l’Harmonie Universelle de Marin Mersenne : une poétique de l’unitéClaire BardelmannMarin Mersenne’s masterpiece, L’Harmonie Universelle (1636), is a late but essential treatise to study the notion of Ut musica poesis in the French Renaissance. Indeed, Mersenne pinpoints the central Renaissance interweaving of music, poetry and philosophy — as all aim at a better understanding of the universe and at leading the soul towards the Platonic perfection of the One. This article proposes to investigate two major aspects of the relationship between music and poetry in the Harmonie Universelle. First, Mersenne presents measured music and measured verse, as inspired by Antoine de Baïf and his Académie, as of paramount importance for the bringing together of music and poetry. Secondly, he describes the close correspondences between rhythmic and metrical patterns in poetry, dance and music as forming a universal language.https://journals.openedition.org/episteme/647
spellingShingle Claire Bardelmann
Poésie et musique dans l’Harmonie Universelle de Marin Mersenne : une poétique de l’unité
Etudes Epistémè
title Poésie et musique dans l’Harmonie Universelle de Marin Mersenne : une poétique de l’unité
title_full Poésie et musique dans l’Harmonie Universelle de Marin Mersenne : une poétique de l’unité
title_fullStr Poésie et musique dans l’Harmonie Universelle de Marin Mersenne : une poétique de l’unité
title_full_unstemmed Poésie et musique dans l’Harmonie Universelle de Marin Mersenne : une poétique de l’unité
title_short Poésie et musique dans l’Harmonie Universelle de Marin Mersenne : une poétique de l’unité
title_sort poesie et musique dans l harmonie universelle de marin mersenne une poetique de l unite
url https://journals.openedition.org/episteme/647
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