The centrality of Chi in Obioma’s An Orchestra Of Minorities

With the growing concern for revisiting the cultural roots in contemporary African literature, this article explores the concept of chi in the Igbo belief system as manifested in literary sources. Specifi c emphasis is put on the Chi character in Chigozie Obioma’s novel An orchestra of minorities....

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Main Authors: Aarfa Husain, Sakshi Semwal
Format: Article
Language:deu
Published: University of Warsaw Press 2024-12-01
Series:Studies in African Languages and Cultures
Subjects:
Online Access:https://salc.uw.edu.pl/index.php/SALC/article/view/453
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author Aarfa Husain
Sakshi Semwal
author_facet Aarfa Husain
Sakshi Semwal
author_sort Aarfa Husain
collection DOAJ
description With the growing concern for revisiting the cultural roots in contemporary African literature, this article explores the concept of chi in the Igbo belief system as manifested in literary sources. Specifi c emphasis is put on the Chi character in Chigozie Obioma’s novel An orchestra of minorities. The article focuses on exploring Chi’s role as narrator, guiding spirit, and orator who transcends all spatial-temporal boundaries. Being a representative of an individual human being in the spirit realm, he is an active companion and guide of his host. The study aims to showcase the metaphysics of being and existence in the Igbo world through the journey of reincarnating spirit chi who transcends the conventional narrative techniques and presents his host’s testimony in the eternal land.
format Article
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institution Kabale University
issn 2545-2134
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language deu
publishDate 2024-12-01
publisher University of Warsaw Press
record_format Article
series Studies in African Languages and Cultures
spelling doaj-art-e816654ffeee4f8eaa28190dd4db8a8d2024-12-15T15:32:32ZdeuUniversity of Warsaw PressStudies in African Languages and Cultures2545-21342657-41872024-12-015810.32690/SALC58.9The centrality of Chi in Obioma’s An Orchestra Of MinoritiesAarfa Husain0Sakshi Semwal1Research ScholarAssistant Professor With the growing concern for revisiting the cultural roots in contemporary African literature, this article explores the concept of chi in the Igbo belief system as manifested in literary sources. Specifi c emphasis is put on the Chi character in Chigozie Obioma’s novel An orchestra of minorities. The article focuses on exploring Chi’s role as narrator, guiding spirit, and orator who transcends all spatial-temporal boundaries. Being a representative of an individual human being in the spirit realm, he is an active companion and guide of his host. The study aims to showcase the metaphysics of being and existence in the Igbo world through the journey of reincarnating spirit chi who transcends the conventional narrative techniques and presents his host’s testimony in the eternal land. https://salc.uw.edu.pl/index.php/SALC/article/view/453chiguiding spiritnarratororal traditionchigozie obioma
spellingShingle Aarfa Husain
Sakshi Semwal
The centrality of Chi in Obioma’s An Orchestra Of Minorities
Studies in African Languages and Cultures
chi
guiding spirit
narrator
oral tradition
chigozie obioma
title The centrality of Chi in Obioma’s An Orchestra Of Minorities
title_full The centrality of Chi in Obioma’s An Orchestra Of Minorities
title_fullStr The centrality of Chi in Obioma’s An Orchestra Of Minorities
title_full_unstemmed The centrality of Chi in Obioma’s An Orchestra Of Minorities
title_short The centrality of Chi in Obioma’s An Orchestra Of Minorities
title_sort centrality of chi in obioma s an orchestra of minorities
topic chi
guiding spirit
narrator
oral tradition
chigozie obioma
url https://salc.uw.edu.pl/index.php/SALC/article/view/453
work_keys_str_mv AT aarfahusain thecentralityofchiinobiomasanorchestraofminorities
AT sakshisemwal thecentralityofchiinobiomasanorchestraofminorities
AT aarfahusain centralityofchiinobiomasanorchestraofminorities
AT sakshisemwal centralityofchiinobiomasanorchestraofminorities