‘Hairy ape! So dat’s me, huh?’ La figure simienne comme construction sociale dans The Hairy Ape de Eugene O’Neill
An eminently political play, O’Neill’s The Hairy Ape (1922) offers a dark representation of the industrial America of the 1920s in which social interactions occur along a vertical axis. The author tackles the Simian figure from an aesthetic and social perspective in order to show how the process of...
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Main Author: | Gwenola Le Bastard |
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Format: | Article |
Language: | English |
Published: |
Centre de Recherche "Texte et Critique de Texte"
2016-08-01
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Series: | Sillages Critiques |
Subjects: | |
Online Access: | https://journals.openedition.org/sillagescritiques/4552 |
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