L’intersectionnalité de Black Panther est l’affaire de ses publics
The postproduction’s decision to erase the LGBTQ affair between Ayo and Okoye characters unleashed a protestation campaign known as #LetAyoHaveAGirlfriend. Indeed, the Hollywood Studios are not estranged with the Straighwashing process. This fact enlights the studios’ difficulty to express the compl...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2023-01-01
|
| Series: | Mise au Point |
| Subjects: | |
| Online Access: | https://journals.openedition.org/map/6050 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | The postproduction’s decision to erase the LGBTQ affair between Ayo and Okoye characters unleashed a protestation campaign known as #LetAyoHaveAGirlfriend. Indeed, the Hollywood Studios are not estranged with the Straighwashing process. This fact enlights the studios’ difficulty to express the complexity of oppressions and discriminations suffered by minorities. A concept theorised by Kimberlé Crenshaw under the name of intersectionality. Nonetheless, this hashtag’s study leads to a better understanding of how minorities grasp the intersectionality concept. Focusing particularly on the way the publics are able to construct intersectional reflexions and representations from complex characters, originally depicted as generic characters by the production. |
|---|---|
| ISSN: | 2261-9623 |