Compassionate Neo-Traditionalism in Hosoda Mamoru’s Animation Movies
Throughout his activity as an animation director, Hosoda Mamoru tackles important issues of present-day Japan - and of late modernity - with creative acuity and a keen sense of observation. From Digimon: The Movie and ONE PIECE: Baron Omatsuri and the Secret Island, in which Hosoda rehearses his dir...
        Saved in:
      
    
          | Main Author: | M. M. Grajdian | 
|---|---|
| Format: | Article | 
| Language: | English | 
| Published: | Association of Japanologists
    
        2020-12-01 | 
| Series: | Russian Japanology Review | 
| Subjects: | |
| Online Access: | https://www.japanreview.ru/jour/article/view/28/28 | 
| Tags: | Add Tag 
      No Tags, Be the first to tag this record!
   | 
Similar Items
- 
                
                    Connecting Fantasy Worlds and Nostalgia: Miyazaki Gorō’s Animation Movies        
                          
 by: M. M. Grajdian
 Published: (2022-06-01)
- 
                
                    Communitarian models of cultural conservatism        
                          
 by: A. D. Parfenov
 Published: (2024-02-01)
- 
                
                    Libertarian model of cultural conservatism        
                          
 by: A. D. Parfenov
 Published: (2023-09-01)
- 
                
                    The Particularities of the Cultural Centers Specialized in Teaching Japanese Language and Culture        
                          
 by: M.G. Tetu, et al.
 Published: (2020-07-01)
- 
                
                    America Reborn ?        
                          
 by: Nick Salvatore
 Published: (2006-04-01)
 
       