De quelques problèmes épistémologiques dans la théorie du cinéma
In the light of recent debates in film studies over the nature of film theory and the kinds of knowledge it produces, this paper examines some of the epistemological issues currently being raised by film scholars. In particular, it examines the ‘dualistic’ positions that have been developed by Noel...
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| Format: | Article |
| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2016-04-01
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| Series: | Mise au Point |
| Subjects: | |
| Online Access: | https://journals.openedition.org/map/2081 |
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| Summary: | In the light of recent debates in film studies over the nature of film theory and the kinds of knowledge it produces, this paper examines some of the epistemological issues currently being raised by film scholars. In particular, it examines the ‘dualistic’ positions that have been developed by Noel Carroll and Malcolm Turvey and seeks to find a ‘third’ way by calling on the philosophy of American pragmatist C. S. Peirce. |
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| ISSN: | 2261-9623 |