Histoire d’un film en train de se faire – les relents de la dictature argentine dans l’expérience cinématographique de Marco Bechis (1976-1999)
Based on our own interviews with the director Marco Bechis and the reading of his private archives, this article tries to historicize the creative process of Garage Olimpo (1999), which relates his experience in illegal confinement during the Last Argentine Dictatorship (1976-1983). We attempt to un...
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Format: | Article |
Language: | Spanish |
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Presses universitaires du Midi
2023-08-01
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Series: | Caravelle |
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Online Access: | https://journals.openedition.org/caravelle/13980 |
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author | Marion Cairault |
author_facet | Marion Cairault |
author_sort | Marion Cairault |
collection | DOAJ |
description | Based on our own interviews with the director Marco Bechis and the reading of his private archives, this article tries to historicize the creative process of Garage Olimpo (1999), which relates his experience in illegal confinement during the Last Argentine Dictatorship (1976-1983). We attempt to understand how the film creation transforms the relationship between the surviving filmmaker and his traumatic past. |
format | Article |
id | doaj-art-e1bedf65ca044615bc846b2c8266cfa5 |
institution | Kabale University |
issn | 1147-6753 2272-9828 |
language | Spanish |
publishDate | 2023-08-01 |
publisher | Presses universitaires du Midi |
record_format | Article |
series | Caravelle |
spelling | doaj-art-e1bedf65ca044615bc846b2c8266cfa52025-01-09T16:14:21ZspaPresses universitaires du MidiCaravelle1147-67532272-98282023-08-0112010111610.4000/caravelle.13980Histoire d’un film en train de se faire – les relents de la dictature argentine dans l’expérience cinématographique de Marco Bechis (1976-1999)Marion CairaultBased on our own interviews with the director Marco Bechis and the reading of his private archives, this article tries to historicize the creative process of Garage Olimpo (1999), which relates his experience in illegal confinement during the Last Argentine Dictatorship (1976-1983). We attempt to understand how the film creation transforms the relationship between the surviving filmmaker and his traumatic past.https://journals.openedition.org/caravelle/13980Creative processExperience of violenceArgentine dictatorshipFilmmakerWitness |
spellingShingle | Marion Cairault Histoire d’un film en train de se faire – les relents de la dictature argentine dans l’expérience cinématographique de Marco Bechis (1976-1999) Caravelle Creative process Experience of violence Argentine dictatorship Filmmaker Witness |
title | Histoire d’un film en train de se faire – les relents de la dictature argentine dans l’expérience cinématographique de Marco Bechis (1976-1999) |
title_full | Histoire d’un film en train de se faire – les relents de la dictature argentine dans l’expérience cinématographique de Marco Bechis (1976-1999) |
title_fullStr | Histoire d’un film en train de se faire – les relents de la dictature argentine dans l’expérience cinématographique de Marco Bechis (1976-1999) |
title_full_unstemmed | Histoire d’un film en train de se faire – les relents de la dictature argentine dans l’expérience cinématographique de Marco Bechis (1976-1999) |
title_short | Histoire d’un film en train de se faire – les relents de la dictature argentine dans l’expérience cinématographique de Marco Bechis (1976-1999) |
title_sort | histoire d un film en train de se faire les relents de la dictature argentine dans l experience cinematographique de marco bechis 1976 1999 |
topic | Creative process Experience of violence Argentine dictatorship Filmmaker Witness |
url | https://journals.openedition.org/caravelle/13980 |
work_keys_str_mv | AT marioncairault histoiredunfilmentraindesefairelesrelentsdeladictatureargentinedanslexperiencecinematographiquedemarcobechis19761999 |