Transactions en eaux troubles : résurgences de la voix shakespearienne dans Moby-Dick
This article explores the way Herman Melville appropriates William Shakespeare’s work in Moby-Dick. Its argument is that by defamiliarising some of Shakespeare’s lines—a corpus that was both alien and familiar to nineteenth-century writers— Melville turns them into his own idiom. This resurgence of...
Saved in:
Main Author: | Ronan Ludot-Vlasak |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses universitaires de Rennes
2009-02-01
|
Series: | Revue LISA |
Subjects: | |
Online Access: | https://journals.openedition.org/lisa/299 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Bodies in Agony: Classical Sculpture and Violence in Herman Melville's works
by: Ronan Ludot-Vlasak
Published: (2017-03-01) -
Le théâtre de Pierre : espace urbain et (inter)textualité dans Pierre, ou les ambiguïtés
by: Ronan Ludot-Vlasak
Published: (2009-12-01) -
Le tracé extravagant des cartes dans Moby-Dick et Walden
by: Michel Imbert, et al.
Published: (2013-06-01) -
Negotiating Transcendentalism, Escaping « Paradise » : Herman Melville’s Moby-Dick.
by: Ramón Espejo Romero
Published: (2010-06-01) -
Sous l’empire de la folie : Moby-Dick, Shakespeare & compagnie
by: Michel Imbert
Published: (2010-10-01)