Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo
In this work I expose an analysis of the different discourses and imaginaries of masculinity that appear in Bolivian contemporary cinema. Specially, my study focuses in two films, Rodrigo Bellot’s Dependencia sexual and Juan Carlos Valdivia’s Zona Sur. I posit that there is a prevailing masculinity...
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Format: | Article |
Language: | Spanish |
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Groupe de Recherche Amérique Latine Histoire et Mémoire
2023-09-01
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Series: | Les Cahiers ALHIM |
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Online Access: | https://journals.openedition.org/alhim/11994 |
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author | Pablo Virguetti |
author_facet | Pablo Virguetti |
author_sort | Pablo Virguetti |
collection | DOAJ |
description | In this work I expose an analysis of the different discourses and imaginaries of masculinity that appear in Bolivian contemporary cinema. Specially, my study focuses in two films, Rodrigo Bellot’s Dependencia sexual and Juan Carlos Valdivia’s Zona Sur. I posit that there is a prevailing masculinity expression, virility, which comes from a social construction that drives men to a situation of constantly doing the effort of showing power. Nevertheless, the study also highlights other ways in which different versions of masculinity are shown and their typical issues. Finally, this work tries to adopt a structural look of masculinity imaginaries, these being a determining tool to negotiate within social contract. |
format | Article |
id | doaj-art-dc87c4d5cafc47fbaae100d08fb83889 |
institution | Kabale University |
issn | 1628-6731 1777-5175 |
language | Spanish |
publishDate | 2023-09-01 |
publisher | Groupe de Recherche Amérique Latine Histoire et Mémoire |
record_format | Article |
series | Les Cahiers ALHIM |
spelling | doaj-art-dc87c4d5cafc47fbaae100d08fb838892025-01-10T14:55:13ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752023-09-014610.4000/alhim.11994Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneoPablo VirguettiIn this work I expose an analysis of the different discourses and imaginaries of masculinity that appear in Bolivian contemporary cinema. Specially, my study focuses in two films, Rodrigo Bellot’s Dependencia sexual and Juan Carlos Valdivia’s Zona Sur. I posit that there is a prevailing masculinity expression, virility, which comes from a social construction that drives men to a situation of constantly doing the effort of showing power. Nevertheless, the study also highlights other ways in which different versions of masculinity are shown and their typical issues. Finally, this work tries to adopt a structural look of masculinity imaginaries, these being a determining tool to negotiate within social contract.https://journals.openedition.org/alhim/11994gender studiesmasculinitiesvirilitybolivian cinemalatin-american cinema |
spellingShingle | Pablo Virguetti Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo Les Cahiers ALHIM gender studies masculinities virility bolivian cinema latin-american cinema |
title | Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo |
title_full | Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo |
title_fullStr | Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo |
title_full_unstemmed | Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo |
title_short | Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo |
title_sort | representaciones y estereotipos de la masculinidad en el cine boliviano contemporaneo |
topic | gender studies masculinities virility bolivian cinema latin-american cinema |
url | https://journals.openedition.org/alhim/11994 |
work_keys_str_mv | AT pablovirguetti representacionesyestereotiposdelamasculinidadenelcinebolivianocontemporaneo |