Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo

In this work I expose an analysis of the different discourses and imaginaries of masculinity that appear in Bolivian contemporary cinema. Specially, my study focuses in two films, Rodrigo Bellot’s Dependencia sexual and Juan Carlos Valdivia’s Zona Sur. I posit that there is a prevailing masculinity...

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Main Author: Pablo Virguetti
Format: Article
Language:Spanish
Published: Groupe de Recherche Amérique Latine Histoire et Mémoire 2023-09-01
Series:Les Cahiers ALHIM
Subjects:
Online Access:https://journals.openedition.org/alhim/11994
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author Pablo Virguetti
author_facet Pablo Virguetti
author_sort Pablo Virguetti
collection DOAJ
description In this work I expose an analysis of the different discourses and imaginaries of masculinity that appear in Bolivian contemporary cinema. Specially, my study focuses in two films, Rodrigo Bellot’s Dependencia sexual and Juan Carlos Valdivia’s Zona Sur. I posit that there is a prevailing masculinity expression, virility, which comes from a social construction that drives men to a situation of constantly doing the effort of showing power. Nevertheless, the study also highlights other ways in which different versions of masculinity are shown and their typical issues. Finally, this work tries to adopt a structural look of masculinity imaginaries, these being a determining tool to negotiate within social contract.
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institution Kabale University
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1777-5175
language Spanish
publishDate 2023-09-01
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series Les Cahiers ALHIM
spelling doaj-art-dc87c4d5cafc47fbaae100d08fb838892025-01-10T14:55:13ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752023-09-014610.4000/alhim.11994Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneoPablo VirguettiIn this work I expose an analysis of the different discourses and imaginaries of masculinity that appear in Bolivian contemporary cinema. Specially, my study focuses in two films, Rodrigo Bellot’s Dependencia sexual and Juan Carlos Valdivia’s Zona Sur. I posit that there is a prevailing masculinity expression, virility, which comes from a social construction that drives men to a situation of constantly doing the effort of showing power. Nevertheless, the study also highlights other ways in which different versions of masculinity are shown and their typical issues. Finally, this work tries to adopt a structural look of masculinity imaginaries, these being a determining tool to negotiate within social contract.https://journals.openedition.org/alhim/11994gender studiesmasculinitiesvirilitybolivian cinemalatin-american cinema
spellingShingle Pablo Virguetti
Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo
Les Cahiers ALHIM
gender studies
masculinities
virility
bolivian cinema
latin-american cinema
title Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo
title_full Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo
title_fullStr Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo
title_full_unstemmed Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo
title_short Representaciones y estereotipos de la masculinidad en el cine boliviano contemporáneo
title_sort representaciones y estereotipos de la masculinidad en el cine boliviano contemporaneo
topic gender studies
masculinities
virility
bolivian cinema
latin-american cinema
url https://journals.openedition.org/alhim/11994
work_keys_str_mv AT pablovirguetti representacionesyestereotiposdelamasculinidadenelcinebolivianocontemporaneo