Un silence sans ambiance. Hammershøi, les impressionnistes et le tournant atmosphérique contemporain
This article aims at problematizing, from an aesthetic perspective, the contemporary “atmospheric turn”. From a confrontation between French impressionist painting and the painting of the Danish Vilhelm Hammershøi (1864-1916), we thus distinguish three concepts, which define three different aestheti...
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UMR 1563 « Ambiances Architectures Urbanités »
2023-07-01
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Series: | Ambiances |
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Online Access: | https://journals.openedition.org/ambiances/4436 |
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author | Hugues Choplin |
author_facet | Hugues Choplin |
author_sort | Hugues Choplin |
collection | DOAJ |
description | This article aims at problematizing, from an aesthetic perspective, the contemporary “atmospheric turn”. From a confrontation between French impressionist painting and the painting of the Danish Vilhelm Hammershøi (1864-1916), we thus distinguish three concepts, which define three different aesthetic paths: — the ambience, appropriate to the Impressionists and the philosophies of the situation or, as we will say, of the surroundings; — the atmosphere, implied by the painting as it is thought by a certain French philosophy of the 20th century (Deleuze, Merleau-Ponty, Levinas); — finally, the silence, specific to Hammershøi’s painting. Could this silence, without ambiance or atmosphere, define an art of the common freed from the atmospheric turn? |
format | Article |
id | doaj-art-dbddfa91c4094cc0bbcf68161cb5d967 |
institution | Kabale University |
issn | 2266-839X |
language | fra |
publishDate | 2023-07-01 |
publisher | UMR 1563 « Ambiances Architectures Urbanités » |
record_format | Article |
series | Ambiances |
spelling | doaj-art-dbddfa91c4094cc0bbcf68161cb5d9672025-01-13T16:06:18ZfraUMR 1563 « Ambiances Architectures Urbanités »Ambiances2266-839X2023-07-0110.4000/ambiances.4436Un silence sans ambiance. Hammershøi, les impressionnistes et le tournant atmosphérique contemporainHugues ChoplinThis article aims at problematizing, from an aesthetic perspective, the contemporary “atmospheric turn”. From a confrontation between French impressionist painting and the painting of the Danish Vilhelm Hammershøi (1864-1916), we thus distinguish three concepts, which define three different aesthetic paths: — the ambience, appropriate to the Impressionists and the philosophies of the situation or, as we will say, of the surroundings; — the atmosphere, implied by the painting as it is thought by a certain French philosophy of the 20th century (Deleuze, Merleau-Ponty, Levinas); — finally, the silence, specific to Hammershøi’s painting. Could this silence, without ambiance or atmosphere, define an art of the common freed from the atmospheric turn?https://journals.openedition.org/ambiances/4436silenceambiencecommonHammershøiimpressionismcontemporary French philosophy |
spellingShingle | Hugues Choplin Un silence sans ambiance. Hammershøi, les impressionnistes et le tournant atmosphérique contemporain Ambiances silence ambience common Hammershøi impressionism contemporary French philosophy |
title | Un silence sans ambiance. Hammershøi, les impressionnistes et le tournant atmosphérique contemporain |
title_full | Un silence sans ambiance. Hammershøi, les impressionnistes et le tournant atmosphérique contemporain |
title_fullStr | Un silence sans ambiance. Hammershøi, les impressionnistes et le tournant atmosphérique contemporain |
title_full_unstemmed | Un silence sans ambiance. Hammershøi, les impressionnistes et le tournant atmosphérique contemporain |
title_short | Un silence sans ambiance. Hammershøi, les impressionnistes et le tournant atmosphérique contemporain |
title_sort | un silence sans ambiance hammershoi les impressionnistes et le tournant atmospherique contemporain |
topic | silence ambience common Hammershøi impressionism contemporary French philosophy |
url | https://journals.openedition.org/ambiances/4436 |
work_keys_str_mv | AT hugueschoplin unsilencesansambiancehammershøilesimpressionnistesetletournantatmospheriquecontemporain |