Un silence sans ambiance. Hammershøi, les impressionnistes et le tournant atmosphérique contemporain
This article aims at problematizing, from an aesthetic perspective, the contemporary “atmospheric turn”. From a confrontation between French impressionist painting and the painting of the Danish Vilhelm Hammershøi (1864-1916), we thus distinguish three concepts, which define three different aestheti...
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| Format: | Article |
| Language: | fra |
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UMR 1563 « Ambiances Architectures Urbanités »
2023-07-01
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| Series: | Ambiances |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ambiances/4436 |
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| Summary: | This article aims at problematizing, from an aesthetic perspective, the contemporary “atmospheric turn”. From a confrontation between French impressionist painting and the painting of the Danish Vilhelm Hammershøi (1864-1916), we thus distinguish three concepts, which define three different aesthetic paths: — the ambience, appropriate to the Impressionists and the philosophies of the situation or, as we will say, of the surroundings; — the atmosphere, implied by the painting as it is thought by a certain French philosophy of the 20th century (Deleuze, Merleau-Ponty, Levinas); — finally, the silence, specific to Hammershøi’s painting. Could this silence, without ambiance or atmosphere, define an art of the common freed from the atmospheric turn? |
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| ISSN: | 2266-839X |