Le droit à l’image : le Cinéma Novo brésilien et l’apparaître
This text aims to present "Brazilian Cinema Novo", the Brazilian expression of what is generally called "new wave cinema" taking place all around the world in the late 1950s. Working within (as well as worked by) its Italian and French influences, respectively neorealism and the...
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| Format: | Article |
| Language: | fra |
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MSH Paris Nord
2017-01-01
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| Series: | Appareil |
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| Online Access: | https://journals.openedition.org/appareil/2355 |
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| _version_ | 1841547870303420416 |
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| author | Gustavo Chataignier |
| author_facet | Gustavo Chataignier |
| author_sort | Gustavo Chataignier |
| collection | DOAJ |
| description | This text aims to present "Brazilian Cinema Novo", the Brazilian expression of what is generally called "new wave cinema" taking place all around the world in the late 1950s. Working within (as well as worked by) its Italian and French influences, respectively neorealism and the Nouvelle Vague, the Cinema Novo combines their recreation gesture with folk and national imaginary elements. Therefore, it emerges few major directors, like for example Glauber Rocha. In this regard, his filmography – mainly Black god, white devil [Deus e o diabo na terra do sol, 1964] – will be read as a "mythological rationality", whose creativeness, by means of proper cinema aesthetic procedures, brings up a new visibility. One believes, finally, that cinema sensible forms are able to establish another possible world. |
| format | Article |
| id | doaj-art-dbcc6591758e44628a47a6221e77cab2 |
| institution | Kabale University |
| issn | 2101-0714 |
| language | fra |
| publishDate | 2017-01-01 |
| publisher | MSH Paris Nord |
| record_format | Article |
| series | Appareil |
| spelling | doaj-art-dbcc6591758e44628a47a6221e77cab22025-01-10T14:18:49ZfraMSH Paris NordAppareil2101-07142017-01-0110.4000/appareil.2355Le droit à l’image : le Cinéma Novo brésilien et l’apparaîtreGustavo ChataignierThis text aims to present "Brazilian Cinema Novo", the Brazilian expression of what is generally called "new wave cinema" taking place all around the world in the late 1950s. Working within (as well as worked by) its Italian and French influences, respectively neorealism and the Nouvelle Vague, the Cinema Novo combines their recreation gesture with folk and national imaginary elements. Therefore, it emerges few major directors, like for example Glauber Rocha. In this regard, his filmography – mainly Black god, white devil [Deus e o diabo na terra do sol, 1964] – will be read as a "mythological rationality", whose creativeness, by means of proper cinema aesthetic procedures, brings up a new visibility. One believes, finally, that cinema sensible forms are able to establish another possible world.https://journals.openedition.org/appareil/2355Cinéma Novo brésilien ; Glauber Rocha ; esthétique ; mythe et rationalité ; visibilité |
| spellingShingle | Gustavo Chataignier Le droit à l’image : le Cinéma Novo brésilien et l’apparaître Appareil Cinéma Novo brésilien ; Glauber Rocha ; esthétique ; mythe et rationalité ; visibilité |
| title | Le droit à l’image : le Cinéma Novo brésilien et l’apparaître |
| title_full | Le droit à l’image : le Cinéma Novo brésilien et l’apparaître |
| title_fullStr | Le droit à l’image : le Cinéma Novo brésilien et l’apparaître |
| title_full_unstemmed | Le droit à l’image : le Cinéma Novo brésilien et l’apparaître |
| title_short | Le droit à l’image : le Cinéma Novo brésilien et l’apparaître |
| title_sort | le droit a l image le cinema novo bresilien et l apparaitre |
| topic | Cinéma Novo brésilien ; Glauber Rocha ; esthétique ; mythe et rationalité ; visibilité |
| url | https://journals.openedition.org/appareil/2355 |
| work_keys_str_mv | AT gustavochataignier ledroitalimagelecinemanovobresilienetlapparaitre |