Alfred Sohn-Rethel en Italie – question de contexte
In October 1977, Alfred Sohn-Rethel made his entrance onto the scene of Italian Marxian studies. This was the beginning of an essential and epoch-making companionship between major Italian thinkers and his own philosophical enterprise. 1977 was also the year in which the Italian best-seller, L’Ape e...
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Main Author: | |
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Format: | Article |
Language: | deu |
Published: |
Presses universitaires de Strasbourg
2020-07-01
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Series: | Recherches Germaniques |
Subjects: | |
Online Access: | https://journals.openedition.org/rg/2943 |
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Summary: | In October 1977, Alfred Sohn-Rethel made his entrance onto the scene of Italian Marxian studies. This was the beginning of an essential and epoch-making companionship between major Italian thinkers and his own philosophical enterprise. 1977 was also the year in which the Italian best-seller, L’Ape e l’architetto, was published in French, under the title L’Araignée et le tisserand (The Spider and the Weaver). The purpose of this article is to resituate Sohn-Rethel’s work within the framework of the critical re-readings of Marxian texts initiated by the work of Raniero Panzieri, and which transversally involved both the “young” Lukács and the partial re-interpretations of Lucio Colletti. |
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ISSN: | 0399-1989 2649-860X |