Unveiling Complexity: Cinematic Representations of Apartheid History and the Post-Apartheid Dutch- Afrikaner Relationship in <em>Black Butterflies</em> (2011) and <em>An Act of Defiance</em> (2017)

The cinematic representation of Apartheid, and in particular the tendency of using white protagonists to narrate the story of black suffering, has been the object of much scholarly enquiry but this has never included Dutch films. This article explores the representation of Afrikaner anti-Apartheid a...

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Main Author: Anne Marieke van der Wal
Format: Article
Language:English
Published: Netherlands Institute for Sound and Vision 2024-12-01
Series:Tijdschrift voor Mediageschiedenis
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Online Access:https://account.tmgonline.nl/index.php/up-j-tmgjmh/article/view/883
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author Anne Marieke van der Wal
author_facet Anne Marieke van der Wal
author_sort Anne Marieke van der Wal
collection DOAJ
description The cinematic representation of Apartheid, and in particular the tendency of using white protagonists to narrate the story of black suffering, has been the object of much scholarly enquiry but this has never included Dutch films. This article explores the representation of Afrikaner anti-Apartheid activism in Dutch cinema through an analysis of the films Black Butterflies (2011) and An Act of Defiance (2017). It investigates how these films perpetuate or challenge the paradigm of ‘white heroism’ and ‘white saviourism’ prevalent in cinematic portrayals of colonial and Apartheid history. Through a comparative study, it reveals nuanced narratives of white protagonists, highlighting their complexities as ‘tragic heroes’ rather than conventional ‘white saviours,’ yet at the same time suggesting a societal inclination towards absolving their past sins, echoing a broader post-Apartheid narrative of forgiveness and reconciliation. By contextualising these representations within broader societal discourses on colonialism and post-Apartheid reconciliation, the article sheds light on evolving Dutch attitudes towards Afrikaners, as the descendants of Dutch colonists, and their historical culpability, offering insights into contemporary Dutch engagement with issues of race, identity, and historical memory.
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spelling doaj-art-dac1cafa43fe4e82b22deea983e68d622025-01-07T13:20:34ZengNetherlands Institute for Sound and VisionTijdschrift voor Mediageschiedenis2213-76532024-12-0127212110.18146/tmg.883744Unveiling Complexity: Cinematic Representations of Apartheid History and the Post-Apartheid Dutch- Afrikaner Relationship in <em>Black Butterflies</em> (2011) and <em>An Act of Defiance</em> (2017)Anne Marieke van der Wal0Leiden UniversityThe cinematic representation of Apartheid, and in particular the tendency of using white protagonists to narrate the story of black suffering, has been the object of much scholarly enquiry but this has never included Dutch films. This article explores the representation of Afrikaner anti-Apartheid activism in Dutch cinema through an analysis of the films Black Butterflies (2011) and An Act of Defiance (2017). It investigates how these films perpetuate or challenge the paradigm of ‘white heroism’ and ‘white saviourism’ prevalent in cinematic portrayals of colonial and Apartheid history. Through a comparative study, it reveals nuanced narratives of white protagonists, highlighting their complexities as ‘tragic heroes’ rather than conventional ‘white saviours,’ yet at the same time suggesting a societal inclination towards absolving their past sins, echoing a broader post-Apartheid narrative of forgiveness and reconciliation. By contextualising these representations within broader societal discourses on colonialism and post-Apartheid reconciliation, the article sheds light on evolving Dutch attitudes towards Afrikaners, as the descendants of Dutch colonists, and their historical culpability, offering insights into contemporary Dutch engagement with issues of race, identity, and historical memory.https://account.tmgonline.nl/index.php/up-j-tmgjmh/article/view/883apartheid cinemawhite saviour tropehistorical film genredutch-south african relations
spellingShingle Anne Marieke van der Wal
Unveiling Complexity: Cinematic Representations of Apartheid History and the Post-Apartheid Dutch- Afrikaner Relationship in <em>Black Butterflies</em> (2011) and <em>An Act of Defiance</em> (2017)
Tijdschrift voor Mediageschiedenis
apartheid cinema
white saviour trope
historical film genre
dutch-south african relations
title Unveiling Complexity: Cinematic Representations of Apartheid History and the Post-Apartheid Dutch- Afrikaner Relationship in <em>Black Butterflies</em> (2011) and <em>An Act of Defiance</em> (2017)
title_full Unveiling Complexity: Cinematic Representations of Apartheid History and the Post-Apartheid Dutch- Afrikaner Relationship in <em>Black Butterflies</em> (2011) and <em>An Act of Defiance</em> (2017)
title_fullStr Unveiling Complexity: Cinematic Representations of Apartheid History and the Post-Apartheid Dutch- Afrikaner Relationship in <em>Black Butterflies</em> (2011) and <em>An Act of Defiance</em> (2017)
title_full_unstemmed Unveiling Complexity: Cinematic Representations of Apartheid History and the Post-Apartheid Dutch- Afrikaner Relationship in <em>Black Butterflies</em> (2011) and <em>An Act of Defiance</em> (2017)
title_short Unveiling Complexity: Cinematic Representations of Apartheid History and the Post-Apartheid Dutch- Afrikaner Relationship in <em>Black Butterflies</em> (2011) and <em>An Act of Defiance</em> (2017)
title_sort unveiling complexity cinematic representations of apartheid history and the post apartheid dutch afrikaner relationship in em black butterflies em 2011 and em an act of defiance em 2017
topic apartheid cinema
white saviour trope
historical film genre
dutch-south african relations
url https://account.tmgonline.nl/index.php/up-j-tmgjmh/article/view/883
work_keys_str_mv AT annemariekevanderwal unveilingcomplexitycinematicrepresentationsofapartheidhistoryandthepostapartheiddutchafrikanerrelationshipinemblackbutterfliesem2011andemanactofdefianceem2017