Shatta Music, from Madinina to The World: New Identity Dynamics in Martinique
This article investigates the rise of Shatta music since 2013. The music genre which originated from Jamaican Dancehall riddims, gained popularity through the support of West Indian communities during carnival and parties. Today, the genre has evolved into a means of expression for Black French Cari...
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| Format: | Article |
| Language: | English |
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Université des Antilles
2023-04-01
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| Series: | Études Caribéennes |
| Subjects: | |
| Online Access: | https://journals.openedition.org/etudescaribeennes/26426 |
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| _version_ | 1846134170183532544 |
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| author | Coraline Kandassamy |
| author_facet | Coraline Kandassamy |
| author_sort | Coraline Kandassamy |
| collection | DOAJ |
| description | This article investigates the rise of Shatta music since 2013. The music genre which originated from Jamaican Dancehall riddims, gained popularity through the support of West Indian communities during carnival and parties. Today, the genre has evolved into a means of expression for Black French Caribbean youth. This study explores the cultural elements that contributed to the development of Martinican Shatta music and analyzes its growth. Overall, the research aims to examine how Shatta music has become a representation of a new identity in Martinique, between local and global processes. |
| format | Article |
| id | doaj-art-d9b7772f54da443791bd1f46bb978f30 |
| institution | Kabale University |
| issn | 1779-0980 1961-859X |
| language | English |
| publishDate | 2023-04-01 |
| publisher | Université des Antilles |
| record_format | Article |
| series | Études Caribéennes |
| spelling | doaj-art-d9b7772f54da443791bd1f46bb978f302024-12-09T13:19:19ZengUniversité des AntillesÉtudes Caribéennes1779-09801961-859X2023-04-015410.4000/etudescaribeennes.26426Shatta Music, from Madinina to The World: New Identity Dynamics in MartiniqueCoraline KandassamyThis article investigates the rise of Shatta music since 2013. The music genre which originated from Jamaican Dancehall riddims, gained popularity through the support of West Indian communities during carnival and parties. Today, the genre has evolved into a means of expression for Black French Caribbean youth. This study explores the cultural elements that contributed to the development of Martinican Shatta music and analyzes its growth. Overall, the research aims to examine how Shatta music has become a representation of a new identity in Martinique, between local and global processes.https://journals.openedition.org/etudescaribeennes/26426MartiniqueGuadeloupeFrench West IndiesCaribbeanUnited StatesShatta music |
| spellingShingle | Coraline Kandassamy Shatta Music, from Madinina to The World: New Identity Dynamics in Martinique Études Caribéennes Martinique Guadeloupe French West Indies Caribbean United States Shatta music |
| title | Shatta Music, from Madinina to The World: New Identity Dynamics in Martinique |
| title_full | Shatta Music, from Madinina to The World: New Identity Dynamics in Martinique |
| title_fullStr | Shatta Music, from Madinina to The World: New Identity Dynamics in Martinique |
| title_full_unstemmed | Shatta Music, from Madinina to The World: New Identity Dynamics in Martinique |
| title_short | Shatta Music, from Madinina to The World: New Identity Dynamics in Martinique |
| title_sort | shatta music from madinina to the world new identity dynamics in martinique |
| topic | Martinique Guadeloupe French West Indies Caribbean United States Shatta music |
| url | https://journals.openedition.org/etudescaribeennes/26426 |
| work_keys_str_mv | AT coralinekandassamy shattamusicfrommadininatotheworldnewidentitydynamicsinmartinique |