AIDS, Caregiving and Kinship: The Queer “Family” in Bill Sherwood’s Parting Glances
As a counterpoint to the emerging homonormativity of the twenty-first century, this paper seeks to identify and reevaluate the potential of queer chosen families as they are cinematically mediated, and historically located, in the context of the AIDS epidemic. With Bill Sherwood’s 1986 film Parting...
Saved in:
Main Author: | Nikola Stepić |
---|---|
Format: | Article |
Language: | English |
Published: |
European Association for American Studies
2017-03-01
|
Series: | European Journal of American Studies |
Subjects: | |
Online Access: | https://journals.openedition.org/ejas/11761 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Tatiana in Onegin’s life. Part I
by: Nikishov Yuri Mikhailovich
Published: (2024-12-01) -
La parrhēsia en Filodemo de Gadara: ¿vergüenza o razones?
by: Rodrigo Sebastián Braicovich
Published: (2017-06-01) -
Coming Out in Poland
by: Tomasz Basiuk
Published: (2019-01-01) -
Transformation of Melodrama in Turkish Cinema from Yeşilçam to the Present: The Films Innocence and Destiny
by: Kemal Çelik
Published: (2024-04-01) -
De bois e outros bichos: nuances do novo Realismo brasileiro
by: Tânia Pellegrini
Published: (2012-01-01)